“Seth material” search engine (Jane Roberts)

The word Sumari carries within itself the essence of playful creativity, and delights indeed in so-called miraculous healings, enjoying surprises and a sense of pure fun. [...]

The overall reliance upon Framework 2 also arouses other events, and propels them into being—events that are favorable in other areas of your lives also, including the creative and business aspects. [...]

[...] Value fulfillment operates within microbes and nations, within individual creatures and entire species, and it unites all of life’s manifestations so that indeed creatures and their environments are united in an overall cooperative venture — a venture in which each segment almost seeks to go beyond itself in creativity, growth, and expression. [...]

Ruburt’s latest poetry is a way of encountering beliefs, and also of evoking the most deeply creative aspects of himself and bringing these to the surface of experience.

[...] Because we did it in a Creative Writing class without making any suggestions as to what we would meet, or rather than probable selves or anything, I’m going to suggest tonight that we do it with that in mind. [...]

[...] No single time or space dimension could contain that creativity. [...]

[...] He explains in some detail how we live more than one life at a time, how “the greater self ‘divides’ itself, materializing in flesh as several individuals, with entirely different backgrounds — yet each embarked upon the same kind of creative challenge.” [...]

[...] There are strains connected with the route you have chosen, but at least you have the hopes of accomplishment—and, if you will forgive me —the creative joy of an honest pursuit. [...]

How richly creative we are: Each of our presents is part of the future from the standpoint of the past; each of our presents is also part of the past from the standpoint of the future.

[...] (As for myself, while growing up I knew nothing of reincarnation beyond its name.) But we’ll be the first ones to agree that in certain Seth sessions, and in her very evocative poetry, Jane has encouraged her intuitive and creative selves to seriously discuss reincarnation. [...]

[...] Some, certainly, and no doubt the reader can think of at least a few creative interpretations of redemptive qualities, but I’d rather let the question search for its own approximate answers as I continue work upon this essay. [...]

We’ve presented lengthy quotations from Seth on his Framework 1 and Framework 2 material both in his Mass Events and in Jane’s God of Jane. His discussions on the subject are an excellent example of how a very creative idea, capable of helping many people, can arise from an attempt to deal with a personal situation—for on September 17, 1977, Seth introduced his Frameworks 1 and 2 concept in a private session designed to help Jane contend with her physical symptoms.

[...] Have him remember that creative activity goes on within him all of the time, and he is often most active precisely when he is not aware of it. He is only aware of those moments when creative activity surges into his conscious awareness, and by then much of the “work” has already been done.

[...] In them individuals creatively and purposely create realities, knowing how to do so and giving full rein to the creative abilities of consciousness.

[...] The satisfaction of performance leads [her] to more expansive creativity, and to her natural sense of personal power. [...]

[...] We speculated about the inevitable contradictions that would emerge should man ever manage to achieve such an “ideal” state, or society — for, given, his always restless and creative nature, he’d immediately start changing his supposed utopia. [...]

[...] I need to use the suggestion for a few days in order to give my creative self time to put it into effect; that’s the way suggestion usually works with me.

[...] He did not specify anything in particular, and so left open the doorway so that his creative intelligence could choose unimpeded by too much conscious coloring—hence his first excellent attempt at holding a plate and feeding himself, even if the plate was a paper one. [...]

[...] When she actually wrote the poem, she’d had her physical symptoms for some nine years; for her own creative and challenging reasons she had allowed them to gain a deep hold upon her, and I think that she drew her inspiration for this poem from that context.)

Many such people are highly creative and imaginative. [...]

These sessions and their creative output began to open the doors of Framework 2, making it accessible to you and practically useful, while before your individual and joint fears held you back at least to some degree. [...]

[...] When he sees it as a method of his own expression, he will realize his own creativeness.

[...] The outside experience and structure of any given race’s experience may change, but the inner symbolism will still remain, and be creatively grappled with.

[...] There, a physical basis for life as you know it is built up through a creative—I am not sure of the word I want: symbosis—