“Seth material” search engine (Jane Roberts)

The inner dynamics of being—physically materialized—presuppose challenges, and those are set adventurously, always with the knowledge of creativity, and of various solutions. [...]

¹Rob describes Framework 2 in Session One, Footnote 2. Seth discusses Frameworks 3 and 4 in The Individual and the Nature of Mass Events as creative environments to keep in mind also. [...]

[...] Even now she could only link the release of her very creative Sumari attributes, the singing poetry, and prose [as embodied in her novel, Oversoul Seven, for instance], with Seth’s reference to psychic families as well as physical ones.

Now: Very briefly, I want to congratulate Ruburt on the Rembrandt book, and to reassure him that that same creative energy is healing his body as surely as it has written books. [...]

His own personality has indeed blossomed in all aspects, in terms of relating with others, and personal creativity. [...]

Both of these personalities however are basically constructive, creative, and a relationship between the four of you should work out very well, not only on a short-term, but on a long-term basis, with advantages for all.

[...] For Ruburt’s benefit, may I here add that in my remarks of our last session, I was speaking of our sessions only, and did not mean to take credit for any of Ruburt’s own creative work. [...]

[...] Such duality cannot exist for long without destroying creative aspects of the personality.

[...] You both had something very strong working for you, still strong enough to help, and that was the creative intuitive nature, which would have in one way or another made the facts plain.

[...] The experiences are to be considered as creations; creative acts all native to consciousness at various stages.

[...] But in higher stages of consciousness, the symbols are no longer necessary, and creativity takes place completely without their use.

[...] You are learning to use energy creatively. [...]

[...] And by the time you know enough to throw that question back at me, that I have just asked you, then I will have more to tell you concerning the initial creative dilemma of which I have spoken. [...]

And I want you both to know if you do not already know that the creativity and the joy and the wonder that is inherent in each consciousness is present not only in your minds and in your consciousness as you think of it, but also in the smallest cell within your fingertips. [...]

[...] Let the creative unconscious mind take care of all of that.

Jane: What I imagine is that in Creative Writing class which consists here today of two people, Charlie’s mother, and Hope W., who is a young gal or a gal in, I don’t know how old, 30 maybe, no, 28. [...]

[...] It is far too tidy an idea, however, to hint at the rich embellishments that are at the heart of divine creativity. [...]

(I’d like to add here that the flood of material issuing from Jane lately, both in and out of trance, has been extraordinary — and I note that as one who is used to her strong bursts of creative activity. [...]

The sessions, like life itself, have been and are a gift, rising from the immense, never-ending creativity of existence.

His personal subconscious, to my relief and I hope to yours, takes care of itself quite adequately through the sublimating fabrications of fantasy into creative prose and poetry, in which I am in no way involved. I make no attempt, for example, to inspire Ruburt in his own creative work. [...]

When a civilization does not support creativity it begins to falter. [...]

[...] I am speaking also of other natural abilities — that of dream communication, the conscious utilization of dreams and creativity in daily life. [...]

[...] You are not effecting top-level changes only, meaning surface realities, but the books are reaching into that creative medium of individual and mass dreaming—where all important change must begin.

[...] He should allow himself creative freedom then. [...]

[...] I do expect all people to be different, to display abilities and characteristics of a highly diverse nature, and to be highly creative. They try to be creative.

The doctor, the figure, represented your artistic intuitional creative self, your potential self in those terms, to whom you looked for advice and help. [...]

The dream also shows that you are achieving good contact with your creative self, and that you were able to utilize the help available. [...]

[...] And this is the force that is behind your own art and all creativity. [...]

It can even serve as a framework for creativity, for from these raw materials you can forge and direct energy for your own purposes. [...]