“Seth material” search engine (Jane Roberts)

[...] Ruburt’s room, in which he hopes to be highly creative, is being built by such people who do know their own kind of creativity, and salute creativity in others. [...]

[...] Myths are generally considered to be distorted facts, interpreted by primitive minds, or the result of creative acts of the imagination. [...]

[...] These were what you might call vital, responding personages, born of emotions of creativity. [...]

(Long pause at 10:47.) The greater creative drama involved occurred for centuries. [...]

[...] His overall concerns of course to some extent blocked his creative processes, which further alarmed him. [...]

[...] I try to break up blocks of your concentration, and at various times have indeed succeeded, so that creative changes show in all areas, including Ruburt’s condition. [...]

[...] Not to say what’s happened to her spontaneous creative drives. [...]

[...] There is no reason why such a journey cannot be enjoyable, creative, healing, and bring you each great pleasure. [...]

[...] That is, in whatever way you can, see yourselves having a productive, enjoyable, creative journey. [...]

[...] If you want to sit back and say “My worry prevents me from enjoyment, creativity and fulfillment,” then do so. [...]

[...] The World as Idea Construction came to him, beside its extrasensory origin, subconsciously, with an exploding effect to save him, because he had so put the lid upon his creative activities after Rebellers, that he had effectively blocked the intuitive self.

[...] He thought of the spontaneous self, his spontaneous self, as joyful, free, intensely creative, but also as somewhat evil, frightening, unreasoning, and liable to lead him to disaster.

[...] He did not understand that discipline can be an aid to creativity, and that the spontaneous self is good. [...]

[...] Each consciousness is endowed with creativity of a multidimensional nature, so that it will seek to create as many possible realities for itself as it can, using its own significance as a focus to draw into its experience whatever events are possible for it from the universe itself. [...]

[...] In doing so, to some extent you multiply the creative possibilities of the universe, forming from it a personal reality that would otherwise be absent, in those terms; and in so doing you also add in an immeasurable fashion to the reality of all other consciousness by increasing the bank of reality from which all consciousness draws.

[...] Part of this processing occurs in the dream state, and creativity plays a large part in the preliminary process.

(I’m sure my improved attitude resulted from the last two sessions—plus other recent ones—but I have resolved anew that I must simply concentrate upon my creative work each day, see Jane and help her as much as I can, and spare my body consciousness the needless stress of worrying about the future. [...] It’s ultimately the only way I can function creatively on a day-by-day basis. [...]

[...] He lived at an intense peak of psychic and biological experience, and enjoyed a sense of creative excitement that in those terms only existed when the species was new.

[...] Fresh creativity still emerges at that “point.” [...]

[...] Dissociation brings about a strong unity with the creative aspects of personality. It puts you back, or it puts your creative talents back, in the driver’s seat.

[...] The creative energies build up their thickly-dimensioned pseudo-realities of pain. [...]

When your own personalities are more or less in balance, you have no trouble at all looking out for these creatures and actually reinforcing their existence with residues of your creative and sympathetic powers. [...]

[...] I took what he said to heart and found myself opening up, becoming more free and creative. [...]

In ordinary terms that challenge, that achievement, are Jane’s own, as she seeks to bring to consciousness information from the creative Seth portion (whatever its source may be) of her psyche, and unite it with her “usual” creative accomplishments. [...]

Man, however, deals with probabilities and with creativity in a unique fashion—a fashion that is made possible because of the far more dependable behavior of the other species.³

[...] In many such instances there will also be at least a short spurt of intense but scrambled, perhaps garbled, creative activity, in which the individual tries to recognize these various elements, as mankind himself has attempted many times in the creative, sometimes garbled creation of his own religions (with soft irony).

Here you can have anything from banal rubbish to the most excellent creative product, but in the schizophrenic framework it will be of brief duration, experienced outside of the framework of usual day-to-day living, concentrated. [...]

[...] There are creative strains in your own personalities that show themselves in all your endeavors. [...]

[...] (Pause.) Rather than serve as a springboard for creativity.

[...] The creative strain therefore benefits you both. [...]

[...] When they draw circles or squares, they are trying to reproduce those inner shapes, transposing those images outward into the environment—a creative act, highly significant, for it gives children experience in translating inner perceived events of a personal nature into a shared physical reality apparent to all.

[...] [Mrs. Steffans] tried to live on the outside, while she was always concerned with inner issues, and it was on your parts indicative of a creative tension between the two. [...]

[...] You have not reacted to any negative influences in that regard, but in a fashion through your creativity helped reconcile what were conflicting elements.

[...] We think that the events surrounding our purchase of the hill house furnish many clues to the spontaneous and creative workings of individual consciousnesses in our chosen physical reality.

[...] Instead, I see each one of us as traveling a most curious and branching-out or circuitous route, one that is creative in ways that are both known and, I’m sure now, unknown.

Ah, there’s the challenge, then — to understand our inherent creativity. [...]

[...] The many people, and connecting rooms, represented the new structure of vaster beliefs that are all interconnected while you are still, however, concentrating upon the private creative self, and from that viewpoint viewing the world — hence your private corner in which you painted, as from that corner of private creativity you viewed the large interacting structure of new beliefs.

[...] Let the power and vitality and creativity of the inner self within you fill you now with knowledge and creativity and the joy and essence of vitality. [...]

He would, perhaps, stick to a respect for small details if they were part of a creative concept, even perhaps the creative concept of another, as details are extremely respected by him in his poetry, where he transforms them into creative concept.

[...] The conflict arises because he tries to balance this, which grates against his grain, with the hope of, or against the hope of, future possibilities of gaining more independence, and using creative abilities in teaching the children’s classes.

[...] Taking down someone else’s words, verbatim, is to Ruburt, because of his own creative ability an inferior position.

The one exception here would be taking down verbatim the words of someone who Ruburt was convinced had superior creative ability or knowledge.

(Long pause at 9:23.) I have said this before: the best way to solve a problem is to concentrate upon various solutions vigorously—and then to turn your minds to other subjects, divert yourselves while allowing the creative power some freedom. [...]

[...] His creative self knows he wants to publish another book, and will easily provide the means when it is given some freedom and not told what it must do. [...]

[...] You cannot close one creative door without closing all of them to some degree. [...]

However, dedicated psychic exploration of such a nature always brings with it increased intuitional powers, and new energy and a spiritual understanding that can be used then in any creative endeavor. [...]

[...] Simply the knowledge that the psychic endeavors will help your creativity should be a sufficient impetus.