“Seth material” search engine (Jane Roberts)

“So what about acid rain, say, to name but one human creation that’s having a strong effect upon the earth’s surface and aerial environments? [...] As to be expected, industry owners and operators maintain that their plants have little or nothing to do with the creation of the dead lakes in the Adirondacks in New York State, for example, or in certain Canadian provinces across the Great Lakes.

[...] Each Seth would be completely independent, however, and each appearance would signify the creation of a new personality — not simply a new version of an old one.

[...] There is indeed an inner kind of order that unites all of these issues; yet that inner order is not the result of laws, but of spontaneous creation, which flows into its own kinds of patterns. [...]

[...] The story of the Creation, as Biblically stated, is the symbolic representation of a master event—a legend that became its own event, of course, forming about it whole arts and cultures, religions and disciplines. [...]

[...] The creation nevertheless happened in quite real terms, and is part of mankind’s inner recognition of the pyramid gestalts of which I have spoken.

[...] The gist of these seemed to be that the dream book, its struggles in creation, etc., was involved, and that it was to be accepted, finally, by Ace. [...]

[...] The potential for the creation of events is so staggering in number and yet out of those highly personal charged associations spring the specific concrete events of experience.

Seth’s books may be the product of another dimensional aspect of my own consciousness not focused in this reality, plus something else that is untranslatable in our terms, with Seth a great psychic creation more real than any “fact.” [...]

[...] In the creation and maintenance of your normal reality, you focus your daily waking consciousness so that it becomes effective within the ranges necessary. [...]

[...] A human child, true; but an offspring in which the entire history of the earth is involved — a new creation arising not just from two parents, but from the entire gestalt of nature, from which the parents themselves once emerged; a private yet public affair in which the physical elements of earth become individualized; in which psyche and earth cooperate in a birth that is human, and in other terms, divine.

[...] In stating that the universe is an accidental creation, however, a meaningless chance conglomeration formed by an unfeeling cosmos, it states quite clearly its belief that the universe and man’s existence has no value. [...]

[...] Incidentally, I considered these poems as aesthetic creations. [...]

It is also true however, in a completely different framework, that evil is of his own creation, at least evil as he thinks of it. [...]

It is in your nature to use much of your energy in artistic creation. [...]

[...] Ruburt’s reaction to the books is partially responsible for the latest difficulties, but so is the creation of the crisis situation itself. [...]

[...] I would return again to those questions asked: What was the first act of creation? [...]

Now it is obvious that the body grows up about the inner self, and that trees grow out of the ground, whereas buildings do not ordinarily spring up like flowers of their own accord; so the inner self has various methods of creation, and uses the EE units in different ways, as you shall see as we continue with this discussion.

[...] Make no divisions between the physical and the spiritual in your lifetimes, for the spiritual speaks with a physical voice and the corporeal body is the creation of the spirit.

The emotional charge provides the pattern, and the impetus for creation, and in the York Beach affair and like situations, it provides for the actual projection or externalization itself. [...]

It is because of this instantaneous creation and projection of inner reality outward into form that you experience time within the physical system — to train you, to give you time to learn to handle your own creations. [...]

[...] Yet there can be danger that you forget that creative time can produce in an hour magic creations that ten hours of frightened, enforced time can never do—and that a moment’s inspiration in a bar, or with company, or on a walk in the park can bring forth world-changing theories that no amount of fearful economy of time will ever deliver.