“Seth material” search engine (Jane Roberts)

(Speaking of Prentice-Hall, today Jane received her first copy of God of Jane—a handsome-looking volume that I hope does well as the years pass. [...]

[...] And Tam, it seemed, kept his hands away from the manuscript itself in the one way that Ruburt clearly understood: he did not generally change the copy. [...]

Now overall he wanted an attractive package, of course, yet to him the book was in the copy mainly. [...]

[...] I did think that I’d like to have it, or at least see a copy. Today, then, the mail brought a copy of the book from a fan that sent it as a gesture, remarking about certain similarities it contains with some of Seth’s material. [...]

(The following may be one of those incidents from Framework 2 that Seth advised being on the lookout for: Last week I rather seriously thought of ordering a copy of The Origin of Ccs In the Breakdown of the Bicameral Mind by Jaynes. [...]

[...] Last night as we were retiring, I thought of a good use for the Framework 2 data: to use it to insure that the books reach the greatest audience possible—this without worrying about the number of copies sold, the money involved, etc. [...]

[...] Copy added after receipt of Craigs’ copy on November 22, 1968. [...]

[...] Estelle’s notes may be more complete than mine, and for this reason we plan to exchange copies of the session.

[...] Corrections made & added after copy received from Craigs on November 22. [...]

[...] I’ll be making copies of these to send to our lawyer, and will show the originals to Andrew Fife, in billing, so that he can make his own copies for our file. [...]

[...] My eyes worked some better, I typed an hour or so copying the beginning of James; got five or so good new pages; and muscles in head, ears, eyes, neck definitely were relaxing. [...]

[...] The piece was written by John Beloff: Psi Phenomena: Causal Versus Acausal Interpretation. Beloff is one to whom I want to send a copy of “Unknown” Reality when we receive copies from Prentice-Hall.

(Theodore Reff, a professor of art history at Columbia University, to whom I sent a copy of Cézanne not long ago, sent us his acknowledgment this week, although he has yet to read the book. [...]

[...] I turned her on her back after stopping at Medical Records first to see Janet Troutt about the copy of Jane’s records that I’d been promised. However, the copies were so poor—and lacking lab reports—that Janet said she’d have them redone; now I’m to stop in a couple of days from now—which means the records don’t go to the insurance company before then, either. [...]

[...] Jane then typed up what we could remember; we corrected it as shown on page 51, then Jane copied it over to give Bill, along with a cake. [...]

[...] Copies of both accounts will be attached to this session. [...]

(See the copy of the envelope object on page 51, and the notes on the page 55. [...]

(Note: As I type this, I see the copy better and better.)

[...] I had trouble in some instances deciding in the copy which spelling to use—Sumerian or Sumarian; in some instances my quick decisions were in error, I came to believe as I typed up this copy, so as can be seen I made changes. Jane read them over, and agrees that this copy is now as Seth meant it to be.

(Shortly after supper this evening, Tom Milligan, a former student of Jane’s, brought us a copy of Saga Magazine for December, 1971. [...]

(By coincidence—?—Seth’s book has just come back to us from Prentice-Hall for us to go over the copy editor’s suggestions before it is set in galleys, which we will see in April. [...]

[...] You disliked her heartily but the fascination kept at you, so that you studied her mannerisms, and even at times tried to copy them.

You used to stand in a mirror and copy her expressions. [...]

[...] A copy will be added to this session, hopefully, if I can remember to do so after having it duplicated.)

[...] The slightest error in copying a symbol could change its meaning completely, hence your concern over details, and hence now your great trust in objective painting, and your occasional distrust of work that seems to come too easily.

This time in a strange way the circle returns and yet opens, for you find yourself searching out anew the truths that you once copied with such great faithfulness. [...]

(Rough copy of the newspaper article used as the envelope object, in the 77th experiment in the 302nd session, for November 21,1966.)

(Rough copy of the back of the newspaper article.)

(See the copy of Jane’s dreams attached. [...]

(The last page of the 241st Session, containing the personal material omitted in the regular notebook copy.)

[...] On the way to the hospital I stopped at the post office to mail Lynn Lumsden a copy of a fan letter we’d received, offering us a year’s free ads in a crossword puzzle magazine.

(Seth meant the Pocket Book edition of The Further Education of Oversoul Seven, which had arrived from Prentice-Hall last night — nine copies.

(The object for the 77th envelope experiment was a copy of an article from The Saratogian, the daily newspaper of Saratoga Springs, NY; it was printed in September, 1950 and was saved by Jane as a souvenir, and also because she wrote it. [...] See the rough copies on pages 168 and 169.

(See the rough copy of the envelope object on pages 168 and 169, and the notes on page 170. [...]

[...] See the copy below the photo of the object, page 168. [...]

(9:45.) When you try to control power or people, you always copy. To some extent the world copies itself, in that there are patterns.² But those patterns are always changed to one extent or another, so that no object is ever a copy of another — though it may appear to be the same.

[...] A copy of them will be attached to a later session.

[...] The object is a card, blank on the reverse side, written to Jane by Caroline Keck, conservator of the Brooklyn Museum; it was mailed to Jane in early August, along with a copy of the book, Is Your Contemporary Painting More Temporary Than You Think? [...]

(As noted on page 230, this copy is in a rusty red, much the same color as on the cover of Louis Pomerantz’s book. [...]

(Copy of the shopping list used as the envelope object in the 78th experiment, in the 304th session for November 28,1966.)

(Copy of the list Jane made out Tuesday morning to supplement my list, which had been used as envelope object the night before, November 28. [...]