“Seth material” search engine (Jane Roberts)

[...] These traps are often constructed on trees, in the bark, in such a fashion that the tree gum itself is used to trap the insects. [...]

[...] It is within all things that you see, and invisible because it makes up the appearance of any physical construction.

It is also possible that these secondary personalities, emerging, give access to buried abilities and benign constructive abilities which had been buried beneath heavier fears that weighed them down. [...]

At the bottom so to speak, will be found a layer of the subconscious dealing with racial heritage, concerning the dim first materialization of man; and beneath this a heritage dealing with a comprehension of reality as concerned in physical matter before the physical evolution of man, following backward to that first inner self within its mental enclosure, that was adept enough to translate and transform its psychic energy to form the first, most minute physical materialization, from which all other physical constructions then flowed.

Now it appears to you that a difference is worked when you exchange a poor physical symbol for a constructive one. [...]

[...] Her transcendent experience led to her manuscript, The Physical Universe as Idea Construction, which in turn led to these sessions. [...]

I had planned to go into some material concerning this particular portrait, as a camouflage construction, but here for now I will merely mention this in passing and go into it at our next session.

(Jane said this was not the answer she would have given in her book on idea construction. [...]

(Long pause.) As creative people, and as certain kinds of creative people —not being audience performers as musicians, for example—you deal with the creative construction of artistic worlds in which as your friend (painter) William Alexander would say, you are the master magician perhaps—but it is your world primarily, created according to your vision. [...]

[...] This other-directed superself image, however, largely of social construction, superimposes the idea of responsibility over the idea of enjoyment, and in many cases is in direct contradiction as far as Ruburt’s natural tendencies are concerned. [...]

The theory of evolution,⁴ for instance, is an imaginative construct, and yet through its lights some generations now have viewed their world. [...]

(10:10.) In all of the other imaginative constructs, for example, whatever their merits and disadvantages, man felt himself to be a part of a plan. [...]

[...] Suggestions should be given that constructive tendencies are given free reign. Perhaps more important, suggestions should be given that only constructive suggestions will be reacted to. [...]

[...] First we must relieve the sensitivities and we are, and then we shall work toward the construction of a more favorable past, you see. [...]

[...] His personality is so constructed that he cannot give time, without conflict, to any matter to which he is not totally committed, or to any matter about which he has any serious doubt.

[...] We did (think) construct it, and we have gone our way. [...]

The original intensity behind the construction determines its duration. … Left alone, any such construction will eventually vanish. [...]

Denying energy to such a construction can be like pricking a balloon. [...]

[...] In other ways, through constructive action, he has more than made his way.

[...] For if the information given is understood and applied, then the vicious circle of relationship can be broken, and a new constructive relationship can be at last attained.

[...] (Long pause.) You must face the fact fully that you are and have been frightened, and that fear is a natural reaction, and that there are ways of responding to it that are healthy and constructive. [...]

[...] The affair involved many people, and was a reality constructed by many people.

[...] It is quite safe, therefore, to criticize them in that regard, to see how a story or a painting is constructed—or more importantly, to critically analyze the structure of ideas, themes, or beliefs, that appear behind, say, the poem or the work of fiction.

[...] Physical reality is constructed from what seems to be a series of physical acts. [...]

[...] All of this does not mean that personalities within other systems do not construct their own kind of time structures, but in all of these cases the personalities realize quite well that the structures are adapted for the sake of organization of experience.

The boy who delivered the message in Ruburt’s dream was partially a dream construction, representing a George Pilotte Junior, with whom Ruburt felt an affinity in early life; a relative, a cousin who is also psychically connected with Ruburt’s mother, and who is subconsciously connected in Ruburt’s mind with the death of his grandfather, since the boy, who is now a man, was kind to Ruburt at that time.

[...] Ruburt however constructed the images subconsciously, and then perceived them.