“Seth material” search engine (Jane Roberts)

[...] Still, your part in it conflicted with his ideas of you and what you wanted.

[...] And the Iraqi conflict goes on.³

[...] (I’ve shown in Dreams that many of her physical symptoms have resulted from conflicts between those spontaneous urges, and entrenched beliefs that revolve around her sinful self and tell her that such activity is wrong.)

[...] That attempt, of course, brings him into conflict with whatever doubts still stand in his way.

[...] She summarized those conflicts in the note she wrote on our 26th wedding anniversary.³ I saw that same pattern of delay at work in her holding the sessions for Dreams—and to me that meant the same psychic and psychological forces were still operating. [...]

As he progressed with the series, Seth delved into Jane’s sinful self from a number of viewpoints: its birth and growth during her intense relationship with the Roman Catholic Church throughout her early years; the development of her very stubborn core beliefs; her creative dilemmas after she left the church in her late teens; the conflicts she began to experience after our marriage, involving on the one hand her sinful self and the religion she thought she’d left behind, and on the other hand science, art, writing, and the unconventional direction she discovered her natural, mystical abilities were taking via the Seth material; her growing fears of leading others astray; and the very real necessity for her—and for each individual—to achieve value fulfillment.

[...] That self itself has become frightened, in conflict within itself over its early training and Jane’s great creativity, which it regards as wrong: The creative self is guilty. [...]

[...] Yet I’ve always known that these ideas conflicted with official ones. [...]

[...] An understanding on a more personal level of the forces in their lives that push and pull them in often conflicting directions makes it very difficult to actively blame people for very much on an individual basis....)

(10:19.) You will do this by concentrating upon what you want, but feeling no conflict between that and what you have, because one will not contradict the other; each will be seen as a reflection of belief in daily life. [...]

[...] I also knew I was working out some conflicts, and I wasn’t worried. [...]

[...] (Long pause.) The inner conflict, you see, appears in imbalances now within the system, where sets of muscles (pause) battle with other sets: this setup, the nervous hip disorders. [...]

Following the accident at TMI, and aside from the great fears “generated” by it, a host of problems began accumulating for the nuclear power industry—involving everything from poor plant design (as Seth commented in the 914th session for Chapter 7 of Dreams), to enormous cost overruns and the fear of default on bond issues, shoddy construction and quality control, human and mechanical error, the disposal of radioactive waste, conflicts with antinuclear and environmental groups, arguments over evacuation plans at various nuclear-plant sites, a greatly expanded list of steps (numbering in the thousands) that the NRC is compiling for utilities to take in order to increase the safety of their plants, and even governmental concern over the possible manipulation and falsification of plant safety records. [...]

[...] Your mother represents to him the destructive, unreasoning energies of his own mother, and in the pull and conflict between your mother and father, he sees the tortured connections of his mother’s soul.

Those people look to cults of various kinds, where decisions are made for them, where they are relieved of the burden of an individuality that has been robbed of its sense of power by conflicting beliefs. [...]

[...] There are some conflicts still operating from the 15th-century existence, with the result that the male is drawn so idealistically that the real male is found wanting by contrast.

[...] For example, in your culture some people feel that there is a struggle between their hearts and their heads, a conflict between emotion and reason, in other words. [...]

[...] As the books continued to sell, several conflicts arose. [...]

(She wasn’t too clear as to what she was panicky about, but as we talked I began to understand that she was re-experiencing the same round of fears that she had many times in the past, and that many of these private sessions have been devoted to over the years: her mother, her need for love, her fears of abandonment, the conflicts involving success and the psychic work, our relationship, and so forth, if anything’s left. [...]

[...] Get him to go to public places, for here he is weakest, so that he builds up his conflict. [...]

[...] They are gradually wearing away, in the same way, I suppose, that I will gradually come to reconcile the conflicts I became aware of through this whole episode.

[...] So when you discuss it the problem becomes an excellent focal point, showing you how you interact, how you interpret and misinterpret each other, and brings out quite clearly any basic conflicts that you have.

[...] “Yet,” I said to Jane, “it shows how conflicts can keep going underground if you don’t watch it, and can be very damaging in the long run....” [...]

[...] If you have conflicts over the ideas connected with good and evil, or wealth and poverty, then the king might lose his lands or goods, or some catastrophe might befall him.

[...] The black woman followed nothing but her own instincts (and very vividly, too). I do not want to give too much background here, and hence rob our Joseph of discoveries that he will certainly make on his own — but (louder) the woman bowed only to the authority of her own emotions, and those emotions automatically put her in conflict with the [British colonial] politics of the times.

[...] We will have Wednesday’s session as usual, unless it conflicts with your circumstances because of the season. [...]