“Seth material” search engine (Jane Roberts)

Simply because we have at our command the full use of our energy, it is not diverted into conflicts. [...]

[...] Until then there was no conflict.

An individual who completely accepted what was going on here, and Seagull without question, could (underlined) also possess a fervor that would, or could, overstate the case, rouse instead within people conflicting beliefs. [...]

[...] The spiritualistic literature causes a needless conflict between his intellect and intuitions.

[...] There is no conflict between your desires, beliefs, and the execution of the act, so the action itself flows smoothly. [...]

[...] That desire led you to disregard conflicting feelings, urging you to leave the man alone.

(Jane wanted material from Seth tonight on her “blues”—the mixed emotions and conflicts she feels at times when waking from her afternoon naps. [...]

In your circumstances, in one way or another you have to build up that feeling of trust or confidence, often, again, in the face of old conflicting beliefs. [...]

[...] And it seemed to me that certain parts of her personality were quite ready to continue such behavior until death—the final end, the dissolution in which host and ailments disappeared together, and all conflict was resolved. [...]

[...] The getting up and down each time brings him in direct conflict with the old body beliefs, and ideas of motion, that he used to repress. [...]

8. Much could be written about the ageless conflicts the individual feels between society’s demands and his or her urges toward personal freedom. [...]

[...] (See Note 6.) I’ve also written about the conflicts involving authority that I believe my two Roman soldiers are expressing. [...]

[...] But interestingly, she ran into conflicts between her old method, in which she used mostly transparent color, and the new one, which, she complained in her frustration, was “muddy, and lacking vitality. [...]

These portions operate almost like a secondary personality, sometimes in actual conflict with the dominant one. [...]

[...] But there is a long history of the conflicts between creative thought, heresy, excommunication, or worse, death. [...]

(10:31 P.M. Seth’s last remark, which I took to be rather humorous, reflected one of the reasons for Jane’s upset before the session: the conflict she feels between having just book sessions versus obtaining Seth material on at least a few of the other subjects we always have in mind. [...]

[...] Although we wanted to see her, we found ourselves caught in the old dilemma about visitors conflicting with plans we’d already made— i.e., the session tonight. [...]

Many conflicts naturally begin to resolve themselves in your relationship as you handle Ruburt’s changing conditions. [...]

These feelings have much to do with the conflicts Ruburt feels with your friends Claire and Bob, for they go to the opposite extreme, where life revolves around nourishment. [...]

[...] In that respect, most individuals do not stand alone, and, in that respect Ruburt feels that except for you he does, and must meet the world “head-on” when there is such conflict.

This afternoon we had a long discussion about the conflicts we often feel between our natural desires for creative privacy and the fact that our works go out into the world. [...]