“Seth material” search engine (Jane Roberts)

Now: The spider spins his web, and the spider’s web is a combination of art, craft, esthetics, and utility. [...]

(Seth gave me a half-pitying look combined with one of willingness and understanding. [...]

Value fulfillment itself is most difficult to describe, for it combines (pause) the nature of a loving presence—a presence with the innate knowledge of its own divine complexity—with a creative ability of infinite proportions that seeks to bring to fulfillment even the slightest, most distant portion of its own inverted complexity. [...]

[...] The sexual area also combines both the lack of mobility and the womanly aspects, so freedom and the “as if” game in these areas is doubly important and vital.

[...] No physical nerve structure, or combination of purely chemical and material properties, will ever result in consciousness. [...]

[...] The music at times was literally deafening in volume, combined as it was with a large choir and a jazz band. [...]

[...] This is done partially by me and partially by the combined subconscious efforts of you and Ruburt. [...]

[...] This has given an open-mindedness that is this time combined with a more feminine intuition. [...]

[...] The practice on the dream painting helped: This time I was able to hint more easily at the great combined radiance of those lights. [...]

[...] Now as a unit your separate realities obviously form a larger combined unit in which you operate. [...]

[...] Without the psychic development, your combined background could have quite undermined your creative abilities entirely. [...]

(According to Seth then, Jane and I used our combined psychic strength or force to pull the bolt back. [...]

(This reproduction, combining the two drawings Bill MacDonnel made of the apparition he saw in the 68th Session, was published in 1970 by Prentice-Hall, Inc., in Jane’s The Seth Material. [...]

[...] Dreams are mental work and play combined, psychic and emotional rich creative dramas. [...]

[...] It has several important aspects that you should look for—the combination of privacy and openness. [...]

[...] He combined the forces of highly original, strong imagination with very calculated preciseness, a kind of preciseness that would lead to detailed sketches of flowers, trees, the action of water—all of nature’s phenomena.

The word combines all of his goals—physical and creative—into one clear focus in which there is no ambiguity. [...]

[...] You perceive it as solid, as you perceive all other physical matter; yet the more matter is explored the more obvious it becomes that within it energy takes on specific shape (in the form of organs, cells, molecules, atoms, electrons), each less physical than the last, each combining in mysterious gestalt to form matter.

[...] But those beliefs that he shoved away were, by attraction, instantly seized by the other mental structure — again, composed of ideas and feelings combined into what you might think of as an invisible cellular organization, with all capabilities of reaction.

(At the same time, I would get the feeling that the fingers of each hand were united or combined into thick clublike paws, as though I was wearing great baseball gloves. [...]

[...] Only when the private nature of reality was emphasized sufficiently would I be ready to show how the magnification of individual reality combines and enlarges to form vast mass reactions — such as, say, the initiation of an obviously new historical and cultural period; the rise or overthrow of governments; the birth of a new religion that sweeps all others before it; mass conversions; mass murders in the form of wars; the sudden sweep of deadly epidemics; the scourge of earthquakes, floods, or other disasters; the inexplicable appearance of periods of great art or architecture or technology.

3. Seth’s delivery is remarkably clear and unambiguous, but once in a while he’ll come through with an awkward sentence (as we all do), or one that combines the singular and the plural when one or the other should be used throughout, or he’ll repeat a certain word too often. [...]