“Seth material” search engine (Jane Roberts)

[...] Then in a creativity that came from the painting itself the colors would grow rich, the species attain their delineations, the winds blow and the seas move with the tides.

[...] A note: The next day, Jane and I saw the Nearings in color on a national TV broadcast from the festivities at Mansfield. [...]

[...] The color blue. [...]

[...] This is a good reference to the color transparencies my brother took. [...]

[...] But interestingly, she ran into conflicts between her old method, in which she used mostly transparent color, and the new one, which, she complained in her frustration, was “muddy, and lacking vitality. [...]

[...] Mechanisms and pathways exist, making it quite possible for you to see sound, or hear color, although that is not your primary habit at this time.

[...] The information then enters your present, where it biologically and mentally colors your life.

[...] When conceptual thought develops far enough, then it is imagined that all energy originates from what seems to be a closed system; and this misconception then colors all deductions made concerning the nature of energy itself.

[...] You must, you see, develop in your own way and I do not want to color developments. [...]

[...] In that regard, every person paints his or her own portrait in living color — a portrait that does not simply sit in a tranquil pose at a table, but one that has the full capacity for action. [...]

[...] Then I’ll need another week to go over the manuscript, with colored pens marking instructions of each page as to what copy we want set in roman [upright] type, and in italics; while doing that I’ll also check spelling, punctuation, references, dates, times—all of those mundane details so necessary in helping our publisher produce a finished, good-looking book for the marketplace.¹

[...] There are more normally-colored patches on it now intermingled with darker spots.

[...] This resulted of course in an overemphasis upon dogma — rules and the ritualization that had to be colorful and rich because it would be the one outlet allowed in which creativity could be handled. [...]

She’s also done her first two colored-ink sketches, using one of the 4” × 6” watercolor pads I’d bought for her last year. In these sketches, with their simple but very effective patterns of line and primary colors, Jane somehow bypasses her everyday challenges and very clearly reflects her basically mystical view of the world. [...]

Now some of you who read this book will immediately and intuitively grasp what I am saying, for you will have already suspected that you are viewing experience through highly distorted, though colorful, figurative lenses. [...]

Odd green walls, and something the color of wine. [...]

[...] The difference in hair coloring represented the fact that these are, so far, idealizations—yet he did identify with them. [...]

And with implied words, for the words that are sensed but not spoken, will rush out with color rather than with sound, and behind the implied words those emotions upon which the painting must be based. [...]

[...] The way you phrase any question to some extent colors its answer. [...]

[...] They are woven through the fabric of your awareness so cleverly and so intimately that they color your psychic and feeling atmosphere. [...]

Material like this is sifted through many layers of subconscious conceptions, and is subsequently colored. People strongly believing in your organized religions color the material in a manner that is highly disadvantageous, and that unfortunately often adds to existing superstitions. [...]