“Seth material” search engine (Jane Roberts)

[...] Again, the spontaneous self opens and warms to affection, colors, movement, you see. [...]

The art of the old masters escaped such connotations, largely because it involved so much physical labor — the making of colors, canvases, and so forth. [...]

[...] They can be better equated with colors—some dark, some light, but all in all beyond such classifications as morality.

[...] They mix and merge with your other beliefs and ideas, and color your actions. [...]

(This remark referred to a very vivid, colorful dream I’d had on December 18/63. [...]

[...] He also said that Sonja loved color and fabric and that she used these as a method of communication in the past life as well as in this one. [...]

[...] She also told us that she had used both color and fabric to communicate with children on an educational television program — a fact unknown to us.

[...] The color yellow. [...]

[...] “The color yellow” we think is a strong connection to the drawing of the dog; Dick recently obtained a puppy for his children, and when Jane and I asked David to describe the dog he called it orange at first, then yellow.

You call yourself yourself, though the color of your hair may change; and indeed the adult bears little resemblance to the child. [...]

[...] 7/20, 11:30 AM: I had several quick images in vivid colors once in the proper state. [...]

He reacts favorably to the color green as I told him. [...]

[...] One of them was a large, vividly colored parrot that I managed to hang from the wooden frame of the bulletin board at the foot of Jane’s bed, so she could see it. [...]

[...] Observe particularly the colors that would be observable to you in many out-of-body states. [...]

The action is only apparent or visible in a particular field when it adopts the camouflage coloration of the field in question. [...]

[...] The book would include Jane’s simplistically beautiful and brilliantly colored art; also my own quite different art—especially those drawings and paintings of and from my dreams that began to blossom as Seth discussed his dream material. [...]

Your concern with it, the question, is quite practical, whether you know it or not, because your ideas about the nature of reality will color all of your actions within physical experience.

[...] This is apart from your conflicting ideas concerning success, but colors them.

[...] The color yellow. [...]

(Jane was sure “The color yellow” referred to the fact that she well remembers wearing a new, bright yellow shift while keeping the appointment.

“First of all,” Seth said, “the physical universe itself is a conglomeration of diverse individualistic symbols, none of which means precisely the same thing to any two individuals, and in which even so-called basic qualities like color and placement in space cannot be relied upon. [...]

[...] A group of men, attired in the same costumes, sat on brightly colored pillows on the floor, roughly in a circle, with the center of the floor clear. [...]

The Turkish life was the only colorful past life I’ve had to my present knowledge. [...]

[...] This one was fully grown and bore a heavy coat of mixed black, brown, and gray hair; the colors exactly matched those of the tree trunk. [...]

We shall have to consider, later, color as it appears in dreams, but this is not the time for such a discussion. [...]

[...] He is quite open often, say, to making love, as you know now, but earlier you colored your reaction to him often through the pessimistic cast that both of you had allowed to slip over your perceptions.