“Seth material” search engine (Jane Roberts)

[...] The houses were triangular A-type affairs, of multicolored pastels but also bright colors too, glass walls, the houses not crowded together, some above others on small knolls.

[...] The road ahead was lovely, colors bright and brilliant. [...]

(6th Question: How about its color? “We gave you colors.” [...] In asking this question I wondered whether Seth might give other colors, in the event he referred to some other oval object than the tab.

[...] The beer can cap was enclosed within my folded note; the note was written on white paper in the same color ink used to make the tracings. Both items came from a gathering of friends at our apartment last Friday evening, October 7. The dark color on the end of the tab is carbon black from a candle flame. [...]

The color red. [...]

[...] Red color, surrounded by white. [...] Also the color black. [...]

(The envelope object for the 62nd experiment was a piece of cream-colored burlap; it shows up dark on page 250 because of the method of reproducing it. [...]

The object for tonight, some kind of buckle, of metal or metallic color, scratched. [...]

[...] Again no connections, unless one can make them from the list of sheet colors on the full page 12: Soft beige, pastel blue, pastel pink, mint green, orchid mist [Jane said this would be a purple], aqua blue, yellow. Or the colors listed for the thermal blankets, the list being partially visible on the page 12 side of the object: White, green, pink, blue, gold.

(“Perhaps a colored paper.” [...] Colors are mentioned on the page 12 side of the object, in the thermal blanket ad, and of course on both sides of the full sheet from which the object was torn.

[...] Perhaps a colored paper. [...]

[...] A connection with the color yellow, and a loud sound. [...]

The color green. [...]

(“How about colors in connection with it?”)

[...] Of dark color. [...] A metal color, somewhat of a mixture resembling gray greens, with a silverish colored tinge. [...]

[...] Brown-red in color. [...] Perhaps cream colored, and originally tinged with gold.

They may also be tasted, as well as sniffed, and these experiences are actually to some fair degree carried on continually beneath awareness, all adding up to the individual’s perception of a given color. Colors may even be perceived through an inner sense of balance. [...]

Emotions may even cause a color reaction. [...] Even within your own system, though perhaps on a subconscious level, all emotions have a reality in color. [...]

[...] Within your system colors may be perceived as sound. [...]

[...] Flowers are not just brightly colored for man’s enjoyment, for example, but because color is a part of the flowers’ own esthetic system. [...]

(4:20.) The insects also appreciate flowers’ profusion of color, and also for esthetic reasons. [...]

[...] Blue, incidentally, is a healing color, which is why Ruburt craves it. The deep color, however, of the blue reflecting his own desire for contrast.

[...] The color blue should be added to the kitchen, by the way.

[...] It consists of many dots, and you are to connect some and color them. [...] You concentrate upon connecting those points that will give you the most favorable events, and it is these pictures that you color in. [...]

In other words, you see the outline of unpleasant events, ignore them as much as possible, and imagine how in the future they will be dispersed in the larger colored picture that you have created. [...]

(“The colors gray and/or white.” [...] The art is to be done in shades of black to white, without other colors, and will be so printed.

(1st Question: What color is the object itself? [...] I will say on the order of a gray or silver metallic color, mainly.” [...]

[...] The color blue, as a background, I believe.

[...] On a sheet of white paper torn from a pad, same color ink as the tracing on page 189, folded as indicated, placed between two pieces of Bristol and then sealed in double envelopes. [...]

[...] Blues and yellows, strong colors.

I do have the impression of dark color and white, small handwriting perhaps on the back, in ink. [...]

(“There seems to be dark fluid colors that give the suggestion of water.” [...] The object is printed in black, which of course is a dark color. Seth’s use of the word color may refer to something other than black.

[...] Dark colors and white. [...] There seems to be dark fluid colors that give the suggestion of water.

[...] It would seem to be of a dark color. [...]

(“Color at the top, like strips.” The object is yellow, so the color reference could be somewhat distorted. [...] Another color, Gray Street, is also mentioned in the data, and indirectly.

When you sleep the ego becomes unfocused, but still present, and its goals and attitudes to some extent do color dream experiences. [...]

[...] It is of a grayish color, like stone. [...]

[...] A bound one, with a dark color such as brown on the cover. The side of pages when the book is closed seem dusky in color, like old gold color. [...]

[...] A bound one, with a dark color such as brown on the cover. The side of pages when the book is closed seem dusky in color, like old gold color. [...]

(As noted on page 230, this copy is in a rusty red, much the same color as on the cover of Louis Pomerantz’s book. [...]

(In full vivid color. [...]

(Then I saw that someone had left the shack’s door open, and that everything, the walls, the ceiling, the open door, etc., was covered with hordes of insects of various kinds and colors, all crawling and flying about. [...]

[...] The color green is also amusing. [...]

[...] The generic image does not only color the dream state, however. [...]

[...] They color much of your subjective life. [...]

[...] These images also color physical perception. [...]

(“Squares that are interconnected, and the color black.” [...] The panes themselves are not colored.

[...] The physical brains alone, the unused portions, have it within their ability, for example, to hear color, to smell sound; in other words, these portions contain among other things functions, unused mainly, that would allow you to perceive physical reality in various other fashions. [...]

As a species you could just as easily have smelled color rather than viewed it, you see. [...]

[...] A small cube, perhaps gold color, that is the cube perhaps is gold colored.

(“A small cube, perhaps gold color, that is the cube perhaps is gold colored.” [...]

(“Well, you didn’t say anything about color particularly.”)

[...] Each one brings to it his or her own background, temperament, and literally a thousand different colorations — so that the event, while shared by others, is still primarily original to each person.

[...] It also helps color and form such events.

When such other-life memories do come to the surface, they are of course colored by it, and their rhythm is not synchronized. [...]