“Seth material” search engine (Jane Roberts)

As temperatures in various depths of ocean change, and as even the color of the water and of the flora and fauna change, so too in our value climate there are quality changes, and senses equipped to project and perceive the changes. [...]

It is true that the Sinful Self carries with it a group of patterns or reactions; methods of dealing with problems, and so Ruburt’s beliefs along those lines have colored his reactions, his plans, his dealings with you through the years. [...]

[...] It dropped its most obvious religious coloration for some time, and could simply appear as an unusually strong dedication to work and discipline. [...]

[...] Our focuses are different, yet the overall coloration of your experience does come through to me, and through this delightful personality (humorously), I can to some extent relate to it.

(“And I had the feeling that the whole thing was in the color violet,” Jane said after a few minutes had passed. [...]

The sensitivity to sneakers was activated because of these connections with the mother, the children’s work hung upon the wall—this is another connection with his own past, you see, with early grades, and so is the colored girl, Dagmar, as Edward Briscoe was the only colored boy in his early grades.

[...] They have an esthetic appreciation of their own colors—a different kind, of course, than your perception of color. [...]

[...] You are disapproving of your natural characteristics, as if an animal took a dislike or dissatisfaction to its own color. [...]

Your spirit joined itself with flesh, and in flesh, to experience a world of incredible richness, to help create a dimension of reality of colors and of form. [...]

[...] Think of a limiting idea as a muddy color and your life as a multidimensional painting that is marred. [...]

The artist does not identify with the colors he uses. [...]

Something is turning, like a top, but as it turns it has many colors. [...]

[...] I think of green, the color that is of grass on summer afternoons. [...]

[...] We did not know what to make of the color green impression. [...]

[...] A slim one of silver color. [...]

[...] The color purple, and perhaps yellow connected here. [...]

[...] It is written on yellow paper; the notations were made by a pen with the same color ink as those on the copy. [...]

(“The color purple,” Jane said this is speculation: She wears a certain purple sweater her mother made for her on days when the studio is chilly in the mornings. [...]

[...] You do not thoroughly appreciate emotionally your part in the production of our material, or realize that its direction and so forth must be, and is, colored by your own unique characteristics as well as Ruburt’s—and that at certain levels, the Seth material, as it exists, is a product of your lives together. [...]

[...] You did not want to settle for work of which others might approve, and get stuck at a certain level, even for money’s sake; but you wanted to pursue your art in private, and you wanted it colored by its own vaster canvas of psychic endeavor.

(Dream # 1; November 19,1965: This was extremely sharp and vivid in detail, and in full color. [...]

(Dream # 2; December 1,1965: In color, and sharp and vivid and very detailed. [...]

(Dream # 3; December 8,1965: Again in color. [...]

[...] No wonder we sought privacy more and more: any public exposure came to be avoided automatically, as part of the protective coloration.

[...] Many gifted children do, and he used various kinds of protective coloring. [...]

[...] You have your brushes and colors to work with. [...]

[...] There is something about a… I seem to sense Billie at this time wearing dark-colored dress, not black, that Jerry might remember, of violet or purple color. [...]

[...] With a deeply colored scarf, with fringes (collected antiques, house full of old stuff).

[...] She said the color purple could apply to the brick facing depicted in the photograph. [...] I saw the house once some years ago but have no conscious memory of the brick color.

The color purple. [...]

[...] Sitting quietly with my eyes closed, I obtained a sighting or vision, in color, that I will note after describing this session. [...]

[...] It was of wool, and a brown natural color because it wasn’t dyed. [...]

(At one moment I thought I glimpsed, far ahead on the horizon on the right, a group of pyramids, in some kind of cool brilliant color, blues or greens. [...]

[...] We stood blocks away but could see the houses where ours was, it was night now, the bright colors of the houses showing clearly, though. [...]

[...] The trees seem way behind schedule; we’ve seen the first signs of their leaves turning color just recently. [...]

[...] It was very small, and dark-colored; she didn’t know whether it would get larger at a later time, or what. [...]

In their own way they have what amounts to shape, color and structure. [...]

Now imagine the idea, not of triangle, but the idea which has the shape of a triangle, being then expressed in architecture, in a philosophical dissertation, in color, in a sculpture, in a poem, in a painting, in music, and also in so-called natural phenomena such as the shape of a rock, the angle of a shadow, a portion of a crystal, a tree branch.

This error may become habitual, coloring all other psychological structures, and resulting in unfortunate and dangerous physical constructions. [...]

[...] For the test I used a color photograph of my brother Bill, his wife and two young children, taken in Webster, NY, in 1959. [...]

[...] I have indicated the colors crudely in my tracing on page 242 . [...]

[...] I have an impression of afternoon, an impression of three people, of dirt or dirt color, and shadows or shadow shapes, perhaps of pyramid form.

[...] “The night colors damned near transfixed me — they were so brilliant, glowing, and spectacular. [...]