“Seth material” search engine (Jane Roberts)

[...] I chose that life deliberately, as each of you choose each of yours, and I did so because my previous lives had left me too blasé. [...]

[...] Both of you chose to do what you are doing, and accepted your historical period. [...]

[...] Finally we chose to divide “Unknown” Reality into two volumes. [...]

[...] That probability belongs with the present you have now — yet you chose it from an infinite number of other realities. [...]

In your terms, if you believe that you chose illness to compensate for a past-life deficiency, then it will help you to realize that you form your reality now in your present, and can therefore change it.

[...] She chose to wait and see. [...]

[...] In a different way Ruburt chose the same journey. [...]

[...] You also wanted some reassurance that you could operate as an artist as long as you chose in this life. [...]

[...] To some extent that would have been involved no matter what field of endeavor he chose, if he became well-known.

[...] He chose it, because it did indeed provide a framework that would make questioning prominent. [...]

[...] You would not be forced to work as he did, and waste his creativity, so you chose a wife who would make no such demands—apart from other reasons. [...]

[...] The conflict would have arisen however in whatever field the personality chose, except for the poetry. [...]

[...] He tried to tell them however that he was not dead, and they chose to take him symbolically. [...]

[...] In these centers there are certain classes in which instruction is given for the benefit of those who chose to return to the physical environment.

[...] (More than this, he let me use his real name, rather than hiding behind a pseudonym.) In his letter he said: In the session “I chose topics of conversation which were clearly of tolerable interest to Seth and considerable interest to me, and which by that time I had every reason to believe were largely foreign territory to Jane. Also … I chose to pursue these topics at a level of sophistication which I felt, at least, made it exceedingly improbable that Jane could fool me on; substituting her own knowledge and mental footwork for those of Seth, even if she were doing it unconsciously. [...]

[...] I had to cope with my grief, and one way I chose was to immediately begin keeping elaborate records in and writing essays for a series of “grief notebooks.” [...]

[...] After her death I could run nightly if I chose to. [...]

I wrote Valerie that she was gifted psychically and suggested that she might cautiously proceed with learning more about her abilities, to whatever extent she chose. [...]

[...] I chose to present this private session first because in it Seth offers certain information about Jane and me that I think applies to all of our work with him, through the session and books, and to our own separate creative lives as well. [...]

[...] Not that I want to copy Cézanne, for instance [I couldn’t even if I wanted to], but in that other reality I too chose to live the natural life in a more naive or clear-eyed manner—to sublimate myself before nature while at the same time trying to become master of whatever means of expression I can achieve.

Now here is the private session listed at the beginning of these advance notes—the one I chose to present just before Seth’s actual Preface for Dreams. [...]

You chose to do what you did, individually and jointly. [...]

[...] The inner self chose them. [...]

[...] The male, however, chose to take upon himself a kind of specialization of consciousness that, carried too far, leads to a hard over-objectivity. [...]

[...] I chose the object at random by a method which will be explained later. [...]

(I chose the object in the following manner. [...]