“Seth material” search engine (Jane Roberts)

No one from any psychological threshold, however vast, can write a book that defines the psyche, but only present hints and clues, words and symbols. The words and ideas in this book all stand for other inner realities — that is, they are like piano keys striking other chords; chords that, hopefully, will be activated within the psyche of each reader.

Your flesh springs about you in response to these inner chords of your being, and the trees, rocks, seas and mountains spring up as the body of the earth from the deep inner chords within the atoms and molecules, which are also living. [...]

[...] Your emotional feelings are often transitory, but beneath there are certain qualities of feeling uniquely your own, that are like deep musical chords. [...]

[...] Earlier I thought of just yelling out to the personality, look forget it; but couldn’t find vocal chords or something; the personality was using them. [...]

[...] The music, the chants, are richly endowed with what you might call for now racial memory, striking psychic as well as biological chords, and thereby releasing certain inner mechanisms and memories.

[...] Falling with a sound that is its own true tone, struck in different chords.”

[...] There are certainly deep connections between Jane’s apprehension of her true tone, and Seth’s statement in that session that each of us possesses certain qualities of feeling uniquely our own, “… that are like deep musical chords.” [...]

[...] At the same time it seems that Jane is trying to convey several sounds or ideas at once, with but one set of vocal chords.

The books reach people in many fields of endeavor, and they strike a strong chord. [...]

[...] We now believe it possible, and the closing paragraph above struck a chord within me; I think the very passive state I achieve at times after doing hatha yoga might signal a beginning here.

[...] The voice mechanism, unfortunately, is something that we must work with and to get my own personality across through the female image and vocal chords, certain adjustments must be made. [...]

[...] The old photographs will strike a chord within you, however, and so will the psychic memories.

[...] It was as though Seth Two wasn’t familiar with vocal chords or words, and so took pains to use those mechanisms in just the right way. [...]

I suggest, only to give Jane’s much-maligned vocal chords a rest, that you take a break for a few minutes, though as you will note by the clock hardly a half hour has passed. [...]

[...] Rob was convinced that it contained an additional energy, rather impossible for my own vocal chords — the resonance in particular.

[...] Something about it struck a familiar chord: The whole bottom of one page was given over to a sketch of a kangaroo. [...]

[...] It had been a strong voice also, and she now said that her voice had felt different to her; as though she was not using her own vocal chords, but served as a vehicle or channel through which this strange voice emerged. [...]

This time I “found myself,” pulled myself together, and found my vocal chords while the other personality paused for a moment. [...]

(There follows the account from my notebook describing my adventure in hearing music while almost asleep: “February 27, Sunday night, actually 12:30 AM: As I lay in bed half asleep I heard very clearly music in chords, played by an electric guitar. [...]

[...] (Very loud and strong.) You will also find at the end of this session that Ruburt’s vocal chords are in no way fatigued; and I can so speak here for hours, nor would this bother Ruburt in the slightest degree. [...]

The voice mechanism, unfortunately, is something that we must work with, and to get my own personality across through the female image and vocal chords, certain adjustments must be made. [...]