“Seth material” search engine (Jane Roberts)

In a way you choose from an infinite, endless, uncomputable number of ideas, and sculpt these into the physical fragments that compose normal experience. [...]

You may choose a better one.

You may, actually, take a break and continue if you choose, or end if you prefer.

[...] It views various probabilities with the purposes of the ego in mind, and therefore aids the ego in its decisions as to which probable events it should choose for its own experience.

From his group of 40 the other five can be chosen, and invited on any kind of schedule he chooses. [...]

[...] Choose, therefore, subjects that are close to your own inclinations. [...]

Do not force this, but again, for at least five minutes in the overall during the day, imagine as vividly as possible that you are moving normally and easily anyway you choose. [...]

[...] The true scientist is not afraid of identifying with the reality he chooses to study. [...]

[...] You will be forming new gestalts of experience, using past, present and future as a painter chooses his colors, combining them into various paintings.

[...] I thought they’d been [perhaps unwittingly] oriented in certain negative directions—that is, the one taking the test has to choose from a series of more or less negative possibilities, listing specific choices in an order that depends upon his or her personal belief systems—I think.

Later, for the book, I will use this sort of explanation to show for example how various groups of people, planning say a vacation to one spot, will all choose two or three airplanes for the journey—knowing unconsciously quite well that one very well might crash, even though the final decision is not made until the last moment.

[...] There are ways of perceiving them if they choose to be perceived. [...]

[...] Philip on the other hand is performing no such compensations, except for the one instance of choosing a good-looking wife and therefore permitting himself to treat her kindly.

[...] Energy changes form constantly, and if it is blocked in one direction it will choose another.

[...] Have Ruburt verbalize his fears in whatever way you choose. [...]

It is the choosing of the right men not only in the organization as salesmen and in public relations, but also in using judgment and intuition as to those men in another field entirely who will come up with new products, new drug inventions, new ideas, and it is here that the company suffers severely, depending on the tried and true.

Each morning, briefly together in whatever way you choose, dedicate yourselves to your creative pursuits. [...]

[...] Now when I choose to stare at you, you will know that you have been stared at. [...]

[...] In the poem I saw expressed anew her ancient fear of abandonment, along with her dilemmas over her lack of mobility—and my fright was engendered by what I thought were signs that she might choose to leave this physical reality for good. [...]

[...] I was left caught as we talked after I’d read her poem: suspended between despair for my wife and the hope that she would choose to go on living, in our terms.

[...] You find it easy to blame others for not having the knowledge that you have thus far obtained, when you forget that I had much to do with choosing who would receive the knowledge. [...]