“Seth material” search engine (Jane Roberts)

In our ceaseless search for answers to an unending list of personal questions, we discussed the notion that in her own way Jane has described a circle from her childhood: Her parents, Marie and Delmer, were married in Saratoga Springs, a well-known resort town in upper New York State, in 1928. [...]

[...] In physical terms, then, I think it quite possible that in Jane’s case long-term stress, beginning in her early childhood, consistently overstimulated her immune system. [...]

(Pause.) Now you have always from childhood drawn or painted, and in that regard there has been that constant interest. [...]

He has ways of escaping that are devious, for they are not obvious, and they are to some extent automatic responses adopted in childhood. [...]

In your culture, this portion of the self is formed in childhood and early school years. [...]

[...] In childhood, however, such occurrences are frequent.

Later he finds a pyramid-shaped pile of dead puppies, representing the death of old beliefs that had lingered from his childhood. [...]

[...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]

The idea of comfort foods, however—foods which bring comfort, favorites from childhood or whenever, can be excellent aids. [...]

[...] The experience at the writer’s convention also had an affect there, plus the young psychologist’s remarks later—all of this accepted because of the inferiority feelings of childhood.

[...] To launch his book Seth had used a childhood photograph of each of us. [...]

[...] Jane’s childhood playground in Saratoga Springs, NY, is described in chapter five, as well as a vivid recurring dream which had this playground for a setting. [...]

[...] Jane said this refers to an experience from her own childhood, which is discussed, again, under the Dream Symbols and Culture heading on the envelope object, in chapter five. [...]

[...] I have childhood memories of them, of course. [...]

[...] The pattern was set earlier in his childhood. [...]

[...] The intellect actually quite unknowingly made those reasoning deductions on an emotional basis from an outdated picture of the world, held jointly by emotions and intellect years ago in Ruburt’s childhood. [...]

[...] You must remember the childhood spontaneity. [...]

Poetry was her first, childhood love, and it remained a powerful creative factor throughout her life. [...]

It hints at the most precise and powerful focus, so that amid an infinity of data, events can be arranged at times so that two particular people, for example, separated in childhood, could, 30 years later, find themselves living next door to each other. [...]

[...] You must remember the childhood spontaneity. [...]

[...] He had some difficulty because of the childhood experience of seeing his mother ill for so long. [...]

You are teaching yourselves the value of consciousness and vitality and strength and life, by pretending to yourselves that death is death and that your consciousness will not continue and that your parents who die are forever still, by pretending that the voices you have heard in childhood will be heard no more. [...]

[...] In many cases the person is truer to his or her own identity in childhood or old age, when greater individual freedom is allowed, and sexual roles are more flexible.