“Seth material” search engine (Jane Roberts)

(Long pause.) Let us try another analogy: You are an artist in the throes of inspiration. There is before you a canvas, and you are working in all areas of it at once. In your terms each part of the canvas could be a time period — say, a given century. You are trying to keep some kind of overall balance and purpose in mind, so when you make one brushstroke in any particular portion of this canvas, all the relationships within the entire area can change. No brushstroke is ever really wiped out, however, in this mysterious canvas of our analogy, but remains, further altering all the relationships at its particular level.

These magical brushstrokes, however, are not simple representations on a flat surface, but alive, carrying within themselves all of the artist’s intent, but focused through the characteristics of each individual stroke.

[...] They should mix and merge with your brushstrokes, so that the idea of your subject matter is almost magically contained in each spot of paint, and that is what you are learning. [...]

Each brushstroke of a painting represents concentrated experience and compressed perceptions. [...]