“Seth material” search engine (Jane Roberts)

[...] Ruburt would meet them fairly directly, since after all he was not some hypothetical person reading our books, but the person responsible for delivering them. [...]

[...] You do your financial part with the books, but you still tie in your social identity with your painting, and to some extent you still feel that that social identity is dependent upon the money your “art” should produce, so you punish yourself by not enjoying your painting time. [...]

[...] On that day Tam Mossman of Prentice-Hall called Sue Watkins to ask her permission to publish Conversations With Seth in two volumes; Sue’s account of Jane’s ESP classes is now too long for a single book. [...]

You felt that commercial art would work financially, because it belonged to the times, yet even then the comic book market, you felt, was falling beneath you as the public’s ideas changed, and (Mickey) Spillane’s comic strip fell beneath censure. [...]

[...] Your early comic book work should have told you that. [...]

[...] Presently, this will involve important but minute issues until the book is finished.

[...] Toward the end of this book, methods will be given for those who are interested so that you can explore these after-death conditions consciously, having some control over your experiences and progress.

Now: As mentioned somewhat earlier in this book, while your normal waking consciousness seems continual to you, and you are aware usually of no blank spots, nevertheless it has great fluctuations. [...]

New paragraph: As simply put as possible, love is the force out of which being comes, and we will consider this statement much more thoroughly later in this book. [...]

Our friend Ruburt prides himself that his conscious self, before the sessions began, started a book called The Physical Universe as Idea Construction. [...]

The idea that sparked the book came to him, though he may forget, in two ways. [...]

[...] In physical terms, however, the message given that evening is still to be presented through these books.

[...] “I know he said that was the end of book work” she told me, “but I think there’s more on it. [...]

[...] It should be a simple matter to separate personal material from book dictation.

Ruburt rediscovered the rune book, hardly by accident. [...]

[...] He should finish my book, then begin it again, this time following the exercises as he needs them. [...]

[...] Now Seth digressed from book dictation to discuss some questions we had about our rather voluminous — and still growing — correspondence. [...]

[...] Few realize the many stages involved in the production of a book after the text itself has been written. [...]

[...] She had been working hard on her projected book, and was also concerned because she hadn’t heard from either F. Fell or Prentice-Hall. [...]

[...] I said to myself, “Am I really going to make a good sale soon?” [meaning a book or story] and the words, “Evelyn’s grandmother,” sprang to mind. [...]

[...] No muscular knowledge of carrying bag with three quarts of milk, and book and cigarettes that I’d purchased at all. [...]

As mentioned earlier in this book (in the 644th session in Chapter Eleven), many who follow such beliefs try to hide them from themselves, desperately attempting to be young. [...]

[...] “If you don’t want it in the book, okay. [...]