1 result for (book:wth AND heading:"part one chapter 6 april 30 1984" AND stemmed:me)
[... 5 paragraphs ...]
(“Years ago in the 1960’s,” Jane said, “I thought I loved you a lot more than you loved me, and that you could get along very well all by yourself.” I said that was a total misconception on her part, that I’d never had such ideas, nor wanted to do any such thing. It had never entered my head. I knew things bugged me — working, being an artist, or trying to, and so forth — but not anything to do with her. I didn’t even fear fatherhood as much as she feared becoming pregnant. Not that I wanted fatherhood.
[... 2 paragraphs ...]
(She’d even thought I disapproved of her way of dress at times, whereas, if memory serves me correctly, I’d almost always liked the way she dressed, fixed her hair, and so on. I made no such judgments. She said she’d brooded a lot.
[... 10 paragraphs ...]
(4:24. Jane had also said today that she’d felt that she had to be careful how she approached me so I wouldn’t get mad and leave her. Those feelings gradually dissipated over the years, yet they must have had a part to play in the onset of symptoms.)
[... 7 paragraphs ...]
(4:33. “I did pretty good,” Jane said as I lit a smoke for her. “I didn’t know whether I could do it or not. I almost came out of it a couple of times, but I did it.” I’d noticed the instances she meant. I read the session to her. She had a couple of thoughts as she listened to me. One: She transferred stuff about excommunication into the loss of companionship — that nobody would want anything to do with you if you crossed them up. Two: She’d tried to be more like me — cooler, not expressing so many emotions, more in control. And that had been a mistake on her part, a serious one, born, I said, out of her desire for protection and love.
[... 7 paragraphs ...]
(I hardly had time to discuss it with her, but I think the session is a breakthrough one that’s most valuable. It also showed me that even Jane’s poetry was suspect, where I’d been under the impression that the poetry was the one aspect of her creative abilities that was essentially free, or uncontaminated by fears or doubts. For years I’d thought that if Jane had done only poetry, she’d have had minimal troubles, if any.)