“Seth material” search engine (Jane Roberts)

(We talked a lot about our early days together — work and our arts, prestige, money, and the opinions of others. I said that much of what we talked about would be considered the normal hassles in life, but that we had put negative connotations on those things and ignored the positive. Our told troubles now seem minute in retrospect. I added that each person is so different from each other person that it’s useless to make judgments, so each person might as well do their thing and let the chips fall. Who’s to say it’s right or wrong, as long as one doesn’t injure another, or steal, and so on.

People who wrote books against the Catholic Church were excommunicated. Ruburt transferred those fears to society at large. There was a conflict between creative work and the church even when only poetry was involved. He should indeed give himself suggestions that the necessary insights will come to him, and that the proper connections be made whether consciously or unconsciously. But the idea is that it is safe to express himself, and that the true purpose of his life is indeed to express those characteristics that compose his personal reality.

(4:45.) In other words, Ruburt was given strong creative abilities that he was determined to express — but at the same time early in his life he was given the idea that it was highly dangerous to express the very uniqueness that was inherent in his creativity. This is a part of the main issue.

He is to realize that if he has any duty or purpose in life, it is indeed to express those very abilities (all very emphatically), since those abilities are so natural in his makeup, they also possess their own protective mechanisms. He must realize that he is free to express his poetic, psychic nature, and to follow wherever it leads — since it is indeed his natural pathway into existence, and his most intimate connection with the universe, and with All That Is.