“Seth material” search engine (Jane Roberts)

Trapeze performers may have several acts a day, for example. It seems that such individuals perform with great daring, even with a rashness that is unfamiliar to most people. Most such performers, however, are extremely regulated. They work with a carefully calculated eye, under conditions in which each detail, however minute, is of supreme importance. No matter how often certain trapeze acts may be repeated, for example, there is always the threat of instant disaster — of missed footing, a final plunge. Through testing “fate,” death-defiers try each time they perform to prove to themselves that they are indeed safe, that they can overcome life’s most dire conditions. Period.

Life, then, has the sweetest buoyancy, the greatest satisfaction, because it is contrasted with the ever-present threat of death. Many such people do not feel at all safe living under life’s usual conditions. They protect themselves by setting up the conditions of such an encounter, and controlling those conditions, again down to the smallest detail.

(Long pause at 4:16.) Only when they pursue some death-defying career do such individuals feel safe enough to relax otherwise and live a fairly normal life outside of their death-defying careers.