“Seth material” search engine (Jane Roberts)

(3:08. Jane had a smoke while I read her the session for February 1, after she’d put on lipstick and looked in the mirror. Then I read her several other good and later sessions. Next, I described my vivid dream of last night: Jane and I were still driving our old yellow Cadillac convertible. She was walking normally. While we were in a local bar, two youths stole the car, which was parked nearby, and went for a joyride. I went outside to get the car to take Jane home, and found it gone. I called the police. I also found a young man in the bar who knew the two who had taken the car, but he was afraid to tell me who they were. Eventually the police found the car, abandoned some distance away, but unharmed. I was very angry about the whole thing and vowed to find out who had taken it. I told Jane the dream almost sounded like an exercise in exploring a probable reality.

When an idea for a book or a poem comes to him, he “tunes into it” immediately. It never occurs to him to wonder how many vowels or syllables, words and sentences, paragraphs or pages might be involved. He takes it for granted that his intent will be executed —

(4:11.) That is the natural, creative way to function, and it has provided him with many excellent books and poetry. When he is writing he does not think in terms of impediments. What impediments there may be, he brushes aside.