“Seth material” search engine (Jane Roberts)

(2:35. Jane began reading yesterday’s session, and obviously did better than she had yesterday. I helped her in some spots. At 2:50 she quit for a cigarette while on page three. Then she told me of her dream. In the first part, she saw in a mirror that she had pink beads which she tried on to see how they’d go with the blouse she was wearing — blouse color unknown. In the second part, she was on her back in bed when her right hip did something and then her legs were equal in length in her vision. She doesn’t know what she did. I said it sounded as though the dream state was giving her information on healing and motion. The leg data were especially important.

(“Every time we get on this subject something happens,” I said. I read to Jane what she’d just given so far. “Is that clear?”

When you change the past from each point of the latest-present, you are also changing events at the most microscopic levels. Your intent has also an electronic reality, therefore. It is almost as if your thoughts punched the keys of some massive computer, for your thoughts do indeed have a force. New sentence: Even as sentences are composed of words, there is no end to the number of sentences that can be spoken — so “time” is composed of an endless variety of electronic languages that can “speak” a million worlds instead of words.

(“You mean you feel it,” I said, and she agreed. I’ve often thought of how weak our current theories are to explain what we see around us, or in the night sky.

(Long pause.) Karina has that same kind of orientation. At this point in her life, she has actually refused to concentrate upon languages, which would tend to tie her more tightly to the details of the world. (Long pause, one of many.) She does “return to the past,” remaking it more to her liking. Her latest-present is beginning to show signs of a deterioration. She wants a turning-off point from which to construct other realities, so it is not so much that the latest-present is deteriorating as much as the fact that she is purposely letting her attention wander, and allowing the latest-presents (with the hyphen) to diminish in strength and vitality. She will of course construct a new form from which to operate.