1 result for (book:wth AND heading:"part one chapter 1 januari 13 1984" AND stemmed:creat AND stemmed:own AND stemmed:realiti)

WTH Part One: Chapter 1: January 13, 1984 4/36 (11%) Karina Lynn electrons Russian falter
– The Way Toward Health
– © 2011 Laurel Davies-Butts
– Part One: Dilemmas
– Chapter 1: The Purpose of This Book, and Some Important Comments About Exuberance and Health
– January 13, 1984 3:37 P.M. Friday

[... 16 paragraphs ...]

Your own focus is so precisely and finely tuned that despite all of that activity, objects appear solid. Period. Now objects are also events, and perhaps that is the easiest way to understand them. They are highly dependent upon your own subjective focus. Let that focus falter for a briefest amount of time, and the whole house of cards would come tumbling down, so to speak.

[... 1 paragraph ...]

(Long pause at 3:52.) The electrons themselves have their own subjective lives. They are also subjective events, therefore, so there is always a correlation between those electrons in your bodies and those in the objects you see about you. Nevertheless again, subjective continuity itself never falters, in that it is always a part of the world that it perceives, so that you and the world create each other, in these terms.

When you change the past from each point of the latest-present, you are also changing events at the most microscopic levels. Your intent has also an electronic reality, therefore. It is almost as if your thoughts punched the keys of some massive computer, for your thoughts do indeed have a force. New sentence: Even as sentences are composed of words, there is no end to the number of sentences that can be spoken — so “time” is composed of an endless variety of electronic languages that can “speak” a million worlds instead of words.

[... 11 paragraphs ...]

(Long pause.) Karina has that same kind of orientation. At this point in her life, she has actually refused to concentrate upon languages, which would tend to tie her more tightly to the details of the world. (Long pause, one of many.) She does “return to the past,” remaking it more to her liking. Her latest-present is beginning to show signs of a deterioration. She wants a turning-off point from which to construct other realities, so it is not so much that the latest-present is deteriorating as much as the fact that she is purposely letting her attention wander, and allowing the latest-presents (with the hyphen) to diminish in strength and vitality. She will of course construct a new form from which to operate.

[... 3 paragraphs ...]

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