“Seth material” search engine (Jane Roberts)

(We put on lipstick and she looked very good, with her fine skin and lack of wrinkles that most people her age have. She’s 54. I told her she looked remarkably well. Her hair also looks good — curling and alive. I said if it was dyed, as she used to do, that she’d look fine, just like her old self. I also suggested she look in the mirror, at least briefly each day, and that soon there would be nothing to it. She might even get to look forward to seeing herself continue to improve.

There is a certain residue, in other words (pause) of fairly desolate feelings — and these are working themselves out through such expression, thus freeing the body for additional improvements. He (as Seth sometimes addresses Jane, because of her male entity name, Ruburt) progresses at a certain rate, for example, and encounters some blockages, due to doubts and fears. These are then released and expressed through tears or through a recognized period of blueness. Then the system is cleared again, and the way clear for more improvements.

In the past, the body itself was depressed (a very important point), running at low gear, and this is certainly not the case now. Each time, of course, the period of blueness is briefer, the system cleared more quickly, and the new improvements also show themselves at a quicker rate.

(Long pause.) The changing condition of the eyes shows the kind of cycles that occur: the upper edges, so to speak, of improvements continue, so that each new improvement is, obviously, superior to the last. But in the meantime there is much variation, unevenness, and times when the vision is quite unclear. Those changes do indeed seem mysterious. Ruburt is not looking at his own eyes all of the time — so that mysteriousness is somehow taken for granted. He understands so little about the eyes’ operation to begin with, that he does not bother to figure out, or try to figure out, the order that such improvements should take, or how they should happen.