“Seth material” search engine (Jane Roberts)

Give us a moment … Many of the questions you think were not answered in this book, however, have been answered — but from a different angle, colon: the answers presented in such a way that they will entice you to further creative thought.

Give us a moment … This book itself, because of the method of its production, is an excellent example of the unknown reality becoming, if not “known,” then recognized. Do not look for neat answers or tidy solutions, for when you do your explanations and theories will always be too small. There is always an unknown reality to some extent, for the miracle of your being works outside of the kind of explanations that you so often seem to require.

Give us a moment, then.

(Pause.) I am a part of your unknown reality, and you are a part of mine. To some extent in these pages our realities meet. To the extent that you do not know yourself, you do not know your world. To the extent that you do not know yourself, you do not know your husband, or wife, or mother and father. To the extent that you do not know yourself, you do not know what God is. To the extent that you do not know yourself, you do not know what nature is. The unknown reality exists to the extent that you do not travel joyfully through the intimate lands of the psyche, to the extent that you do not directly experience your life as original (forcefully), but accept labels put on it by others. The unknown reality exists as a challenge, an exciting endeavor, as each individual becomes consciously aware of intimate subjective feeling. Do not overlay the personal daily aspects of your life with preconceived ideas about who you are, what you are, where you are, why you are. Become aware of the original nature of any given moment as it exists for you.

(For the moment, though, we ate cookies and indulged in small talk. I could see that Jane was not only sad that the long project was finished for her, but uneasy, too; she was suddenly set loose, released from a framework that had come to be very familiar over the last 14½ months. Not that her new freedom hadn’t been expected. But she’s so creative that as soon as she is through with one undertaking she’s ready to launch into another; and this applies even though she’s been working on Psychic Politics outside of the Seth framework. That’s her focus in life [and mine, too]: the full commitment to artistic production. I’d often heard her comment about being in a kind of limbo between works. Her abilities demand use and release.