1 result for (book:ur2 AND session:742 AND (stemmed:"mind project" OR stemmed:"project mind"))
[... 11 paragraphs ...]
Let us go back approximately two months in your time. Ruburt and Joseph were looking for a house. They had already seen one on the inside, as mentioned earlier in “Unknown” Reality.3 This manuscript, for that matter, was begun precisely at the point in time that Ruburt’s and Joseph’s latest adventure with probabilities began. Two months ago, however, they were attracted to “the Foster Avenue house,” as they called it (change the name if you want to). They drove past it often, and went inside. Ruburt imagined his classes being held there. Imaginatively both Ruburt and Joseph saw themselves living there, and a certain amount of psychic energy was projected into that house.
[... 9 paragraphs ...]
If they become ill, they will do so knowing they choose the condition in order to emphasize certain areas of development, or to minimize others. They will be aware of their options, comma, consciously. The great strength and resiliency of the body will be much better understood; not because medical science makes spectacular discoveries — though it will — but because the mind’s alliance with the body will be seen more clearly.
In this probability of which I speak, the species will begin to encounter the great challenge inherent in fulfilling the vast untouched (forcefully) — underlined — potential of the human body and mind. (Long pause.) In that probable reality, to which each of you can belong to some extent, each person will recognize his or her inherent power of action and decision, and feel an individual sense of belonging with the physical world that springs up in response to individual desire and belief.7
[... 3 paragraphs ...]
The species then moves into its own new houses. Atlantis is the story of a future probability projected backward into an apparent past.
[... 11 paragraphs ...]
(The questions I referred to concern the fact that once in The Seth Material and nine times in Seth Speaks, by my count, Seth spoke of Atlantis as being in our historical past. He did so this evening also, of course, when he remarked at 10:59 that our “ideas of Atlantis are partially composed of future memories” — thus leaving room for past manifestations. Seth’s theory of simultaneous time, which can encompass the notion of future probabilities projected backward into an apparent past, for instance, leaves great leeway for the interpretation of events or questions, however, and makes the idea of contradiction posed by an Atlantis in the past and one in the future too simple as an explanation. At any given “time,” depending on whatever information he’s given previously, Jane could just as easily quote Seth as placing Atlantis in our historic past, or in a probable past, present, or future — or all four “places” at once, for that matter. Any or all of these views would simply be repatterning other dimensions of time from our “present point of power.”
[... 7 paragraphs ...]
“Because you cannot follow a thought, you wonder where it has gone; has it fallen off some invisible cliff in your mind? But because you can no longer hold that thought in consciousness does not mean it no longer exists, that it does not have a reality of its own, for it does indeed. And if a world escapes you — if you cannot follow it and think it has been destroyed — then the same thing applies to the world as to the thought. It continues to live.
[... 16 paragraphs ...]
“Those species did not vie for domination of the earth, but simply shared the same general environment with the more sophisticated groupings beyond their own perimeters. There were many highly technical human cultures, but in your terms not on a global scale. The legend of Atlantis is actually based upon several such civilizations. No particular civilization is the basis, however. Apart from that, the legend as picked up, so to speak, by Plato (see Appendix 14) was a precognition of the future probability, an image of an inner civilization of the mind actually projected outward into the future, where it would be used as a blueprint, dash — the lost grandeur, as, in other terms, Eden became the lost garden of paradise.
[... 9 paragraphs ...]