“Seth material” search engine (Jane Roberts)

(Jane and I were inside “our” hill house for only the second time this afternoon. Again we were accompanied by a real estate agent; because of insurance regulations we’re not allowed to have a key to the place yet, although we’ve been told that this dilemma will be resolved very soon. In the meantime I’ve begun what seems to be an awesome task: packing many of our possessions into an endless series of cartons that had once held things like wine, mayonnaise, cereal, pipe fittings, and so forth.

(Then: “Wait — I’m starting to get something on it,” Jane suddenly said. “He’s found something in my thought patterns he can use …” She sat with her head down. “I’m getting a whole lot of stuff now. I’m embarrassed to say it,” she laughed, “but I’ve got the feeling that if I rubbed right here between my eyes — you know, the third eye thing — I could get a lot more information….”⁷

(Concerning Seth’s remark about “a simple move from one house to another” for Jane and me: This includes all of the other people involved, too. In the previous five sessions I’ve inserted just enough “house connections” to indicate what’s been materializing for us in this area, without digressing to write a much longer history. Our list of such interrelationships contains over 40 items so far, and continues to grow. However, many of these are made up of several related events, figures, et cetera, and so could be legitimately divided further if we chose to do so.¹¹

There are, of course, close relationships concerning this delivery of Seth’s for the 740th session, the material in this note, and the musical analogies Seth presented in the 735th session, when he discoursed upon the inaudible variations inherent in the compositions played by the young classical guitarist who’d visited us over the weekend of February 2. (I’ve been saving this reference for this particular note.) At 9:45, for instance, in that 735th session: “An infinite number of other ‘alternate’ compositions were also latent within the [first] note, however … They were quite as legitimate as the compositions that were played … and … added silent structure and pacing to the physically actualized music.”

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.