1 result for (book:ur2 AND session:740 AND stemmed:present)
[... 5 paragraphs ...]
(Back to the present: “Oh — he comes forward, then retreats, oscillating real fast. But in some way the Seth thing in this is in the background. Now he’s turning around, this miniature Seth. He’s walking away, out of the chute and into this great big Seth who’s like a statue.
[... 23 paragraphs ...]
Now: We will see if we can express some concepts about the self in a new way. In his own Psychic Politics Ruburt has presented from his (psychic) library some information concerning official and unofficial numbers.8
[... 13 paragraphs ...]
(Jane and I do not ascribe the elements making up our house adventures to that old catchall, “coincidence,” of course; at the same time we have no plans to statistically attempt anything with them either. So many variables are present that a separate analysis would be required for each individual involved — with “boundaries,” say, set as to the number of items to be considered in each case. Then what about temporal boundaries? Truly, for myself the whole house thing had its origins in my early childhood, over half a century ago. But Jane, being younger, would designate quite different limitations in time….
[... 20 paragraphs ...]
5. In the 685th session for Volume 1, Seth stated that the consciousnesses of our cells are eternal, and that biologically we’re equipped to explore many more probable realities than we know. In the 686th session he discussed our cells’ comprehension of the past, present, and future, as well as our cellular responses to a variety of neurological pulses besides that certain range we’re egotistically focused upon. See his first delivery for that session.
[... 5 paragraphs ...]
There are, of course, close relationships concerning this delivery of Seth’s for the 740th session, the material in this note, and the musical analogies Seth presented in the 735th session, when he discoursed upon the inaudible variations inherent in the compositions played by the young classical guitarist who’d visited us over the weekend of February 2. (I’ve been saving this reference for this particular note.) At 9:45, for instance, in that 735th session: “An infinite number of other ‘alternate’ compositions were also latent within the [first] note, however … They were quite as legitimate as the compositions that were played … and … added silent structure and pacing to the physically actualized music.”
[... 13 paragraphs ...]
13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.
[... 13 paragraphs ...]