1 result for (book:ur2 AND session:740 AND stemmed:portrait)
3/99 (3%)
infinities
infinite
Millers
Corio
finite
[... 4 paragraphs ...]
(“I had the feeling that Seth was in this chute or tunnel, in miniature, and that he looked like he does in your portrait of him, only in full length.”1
[... 1 paragraph ...]
(“Then in the eyes of this Seth there are two little Seths looking out. Both of these images are like your portrait. Now they climb out of the eyes; with their bodies they make a garland around the big Seth’s head; they sit on it back-to-back like a pair of bookends.” Pause, eyes closed. “Wow — a whole bunch of these little Seths climb up on top of the giant head — but in perfect poses. They’re very stylized, but all real. And Seth will explain it,” Jane abruptly said, evidently quite surprised. “The little images face in all directions around the head of the big Seth. I know it’s not right, not a good analogy, but they’re like gargoyles on a steeple….
[... 53 paragraphs ...]
1. See the picture section in Prentice-Hall’s editions of The Seth Material for a cropped, black-and-white reproduction of my oil portrait of Seth, “in the form in which he chose to appear to Rob,” as Jane wrote in Chapter 8 of that book. Seth first announced his presence by name in the 4th session for December 8, 1963; I painted him in 1966.
[... 37 paragraphs ...]
