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UR2 Section 6: Session 740 February 26, 1975 4/99 (4%) infinities infinite Millers Corio finite
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 740: Finite and Infinite Selves. Seth’s Greater Reality, and the Analogy of the Christmas Tree Lights
– Session 740 February 26, 1975 9:35 P.M. Wednesday

[... 11 paragraphs ...]

Dictation (quietly): Ruburt saw the images in a particular fashion so that he could understand certain information about the nature of the psyche.

[... 5 paragraphs ...]

What I am saying here applies to the greater identity of each reader. Give us a moment … Because you are usually so worried about preserving what you think of as your identity, we use terms like reincarnational selves or counterparts. If you truly understood the nature of your individuality, however, you would clearly see that there is no contradiction if I say that you are uniquely yourself, that your individuality has an indestructible validity that is never assailed, and when I also say that you are at the same time connected with other identities, each as sacredly inviolate as your own.

[... 64 paragraphs ...]

12. Seth’s ideas in this paragraph and the one just preceding it are consistent with his material in a number of sessions for Volume 1. In sessions 681 and 684, for instance, he discussed the on-off fluctuations of our physical universe and everything within it, moment points, probabilities, Jane’s sensations of massiveness, the basic unpredictable motion of any wave or atom, and much more. In sessions 682–83, he stressed the nature of his CU’s, or units of consciousness. Then in Volume 2, Seth likened his own identity to that of a wave formation; see the excerpts from the 775th session in Appendix 18, with Note 35.

[... 1 paragraph ...]

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.

[... 13 paragraphs ...]

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