“Seth material” search engine (Jane Roberts)

(“Then in the eyes of this Seth there are two little Seths looking out. Both of these images are like your portrait. Now they climb out of the eyes; with their bodies they make a garland around the big Seth’s head; they sit on it back-to-back like a pair of bookends.” Pause, eyes closed. “Wow — a whole bunch of these little Seths climb up on top of the giant head — but in perfect poses. They’re very stylized, but all real. And Seth will explain it,” Jane abruptly said, evidently quite surprised. “The little images face in all directions around the head of the big Seth. I know it’s not right, not a good analogy, but they’re like gargoyles on a steeple….

Dictation (quietly): Ruburt saw the images in a particular fashion so that he could understand certain information about the nature of the psyche.

The giant image of myself, never clearly glimpsed by Ruburt, represents my own greater reality. In a particular fashion, that identity cannot be fully expressed within the confines of any one form, any more than yours can. Period. Ruburt saw many miniature versions of me. In his inner vision these appeared as identical, simply so that he would identify them as portions of myself. They are actually quite different, one from the others.

3. Seth discussed his “blueprints for reality” a number of times in Volume 1 of “Unknown” Reality. See the 696th session, for instance: “Each probability system has its own set of ‘blueprints,’ clearly defining its freedoms and boundaries … These are not ‘inner images of perfection,’ and to some extent the blueprints themselves change … As an individual you carry within you such a blueprint, then; it contains all the information you require to bring about the most favorable version of yourself in the probable system you know … In the same fashion the species en masse holds within its vast inner mind such working plans or blueprints.”