“Seth material” search engine (Jane Roberts)

(“I had the feeling that Seth was in this chute or tunnel, in miniature, and that he looked like he does in your portrait of him, only in full length.”¹

(Back to the present: “Oh — he comes forward, then retreats, oscillating real fast. But in some way the Seth thing in this is in the background. Now he’s turning around, this miniature Seth. He’s walking away, out of the chute and into this great big Seth who’s like a statue.

(After another pause: “Okay, I think we can have a session now. But until Seth said so, I didn’t know he’d explain any of this.”)

Dictation (quietly): Ruburt saw the images in a particular fashion so that he could understand certain information about the nature of the psyche.

The giant image of myself, never clearly glimpsed by Ruburt, represents my own greater reality. In a particular fashion, that identity cannot be fully expressed within the confines of any one form, any more than yours can. Period. Ruburt saw many miniature versions of me. In his inner vision these appeared as identical, simply so that he would identify them as portions of myself. They are actually quite different, one from the others.

Each one is involved in its own context of reality, each one pursuing its own directions for its own purposes. One of those “Seths” was born in your space and time. That Seth then seeded himself, so to speak, in the space-time environment you recognize — appearing through the centuries, sending out offshoots of “himself,” exploring earthly experience and developing as well as he could those potentials of his own greater identity that could best be brought to fruition within a creature context.²

(Jane’s rather intent delivery had slowed noticeably during the last 10 minutes. “Boy,” she said, “I was getting stuff toward the end that neither of us — Seth or me — could verbalize. There wasn’t anything in my thought patterns that he could make words out of to express what he wanted to say. I vaguely felt it, but it was pretty alien to my psychological experience.” At the moment, at least, I couldn’t recall hearing her voice such ideas just that way before in the sessions.⁶

(Then: “Wait — I’m starting to get something on it,” Jane suddenly said. “He’s found something in my thought patterns he can use …” She sat with her head down. “I’m getting a whole lot of stuff now. I’m embarrassed to say it,” she laughed, “but I’ve got the feeling that if I rubbed right here between my eyes — you know, the third eye thing — I could get a lot more information….”⁷

(Pause, hand to closed eyes.) Between each official number in a given series he envisions literally infinite space. The infinitesimal becomes infinite.

(10:36. “Wow,” Jane exclaimed as she emerged from her short but excellent delivery. “Before the session I didn’t feel a thing. I was just sort of happily dopey — no ideas at all. But I really clicked in before this break. Seth finally found something he could use to make analogies. I wasn’t aware of traffic noise or anything else … The whole thing surprises me: Look what I’d have missed if I’d decided not to have a session. And I didn’t know Seth was going to explain those visions until I got that flash from him just before he came through. I have the feeling that inside that experience I traveled a great distance….”

(“I’m just waiting,” Jane said finally, after we’d each had a little something to eat. “I feel unsettled. I think there’s another bunch of material there. Seth’s going to get it if I can do it — if he can find some more thought patterns he can use.” A long pause. “Now, I’ll try….”

1. See the picture section in Prentice-Hall’s editions of The Seth Material for a cropped, black-and-white reproduction of my oil portrait of Seth, “in the form in which he chose to appear to Rob,” as Jane wrote in Chapter 8 of that book. Seth first announced his presence by name in the 4th session for December 8, 1963; I painted him in 1966.

5. In the 685th session for Volume 1, Seth stated that the consciousnesses of our cells are eternal, and that biologically we’re equipped to explore many more probable realities than we know. In the 686th session he discussed our cells’ comprehension of the past, present, and future, as well as our cellular responses to a variety of neurological pulses besides that certain range we’re egotistically focused upon. See his first delivery for that session.

There are, of course, close relationships concerning this delivery of Seth’s for the 740th session, the material in this note, and the musical analogies Seth presented in the 735th session, when he discoursed upon the inaudible variations inherent in the compositions played by the young classical guitarist who’d visited us over the weekend of February 2. (I’ve been saving this reference for this particular note.) At 9:45, for instance, in that 735th session: “An infinite number of other ‘alternate’ compositions were also latent within the [first] note, however … They were quite as legitimate as the compositions that were played … and … added silent structure and pacing to the physically actualized music.”

Not long after we moved into the hill house (in March) our new acquaintance and next door neighbor to the east, Frank Corio, told us he knows Louise Akins; she was one of the first students to attend Jane’s ESP class, in September 1967. An interesting tidbit, we thought, considering that Elmira is a city of close to 50,000 people, and in turn is surrounded by a similar number residing in smaller communities. I added Frank’s information to our list of house connections, then forgot about it.

Frank is also in real estate, although he has no professional associations with the Johnsons, Debbie, or the agency through which we bought the hill house. The house west of us became vacant this year in early summer. In the fall Frank Corio was given the job of selling the place, and soon did so — to a family, the Millers, who were moving to Elmira from a distant state. Next, Jane and I found out from Mrs. Miller that she too knows Louise Akins.

Jane and I certainly don’t think the fact that Frank and Mrs. Miller know Louise Akins was the reason the Millers moved next door to us, yet it is one factor to be considered among a myriad of others — money, availability, and so forth. Why did Jane and I move into a neighborhood in which such a house connection could develop to begin with? Why was Frank Corio assigned the task of selling the house next door to us? Why did the Millers encounter him at just that particular time, and why was he, of all the real estate agents in Elmira, the one who succeeded in selling them the house they bought?

Such connections and questions, whatever their strength and the conscious or unconscious motivations behind them, make a fascinating area for study. Once again, we were reminded of Seth’s material at 11:25 for the 737th session, when he told us that “movers are in league with each other.”

12. Seth’s ideas in this paragraph and the one just preceding it are consistent with his material in a number of sessions for Volume 1. In sessions 681 and 684, for instance, he discussed the on-off fluctuations of our physical universe and everything within it, moment points, probabilities, Jane’s sensations of massiveness, the basic unpredictable motion of any wave or atom, and much more. In sessions 682–83, he stressed the nature of his CU’s, or units of consciousness. Then in Volume 2, Seth likened his own identity to that of a wave formation; see the excerpts from the 775th session in Appendix 18, with Note 35.