1 result for (book:ur2 AND session:740 AND stemmed:composit)
[... 70 paragraphs ...]
There are, of course, close relationships concerning this delivery of Seth’s for the 740th session, the material in this note, and the musical analogies Seth presented in the 735th session, when he discoursed upon the inaudible variations inherent in the compositions played by the young classical guitarist who’d visited us over the weekend of February 2. (I’ve been saving this reference for this particular note.) At 9:45, for instance, in that 735th session: “An infinite number of other ‘alternate’ compositions were also latent within the [first] note, however … They were quite as legitimate as the compositions that were played … and … added silent structure and pacing to the physically actualized music.”
For the same session Seth also offered evocative analogies involving heard and unheard musical compositions on the one hand, and counterpart, probable, and reincarnational selves on the other.
[... 26 paragraphs ...]