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UR2 Section 6: Session 740 February 26, 1975 5/99 (5%) infinities infinite Millers Corio finite
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 740: Finite and Infinite Selves. Seth’s Greater Reality, and the Analogy of the Christmas Tree Lights
– Session 740 February 26, 1975 9:35 P.M. Wednesday

[... 65 paragraphs ...]

6. But in appendixes 4 and 5 for Volume 1, see Jane’s own material on other-than-usual neurological pulses, or speeds. Seth examined our neurological pulses — and habits — at 12:19 in Session 686.

7. In all of the sessions, Jane has mentioned the third (or “back”) eye of occult lore only once before — in Session 612 for September 6, 1972 — and she’d been somewhat embarrassed then, too. See the opening excerpts from the 612th session in Appendix 19, with Note 5. In that note I speculated about “what intuitive knowledge she might possess that led her to talk about” the third eye at that time. We had the same questions all over again, without intending to investigate them any more now than we did then.

[... 5 paragraphs ...]

9. For some quotations (and references) from Volume 1 on the moment point, see Note 11 for Appendix 12.

[... 9 paragraphs ...]

12. Seth’s ideas in this paragraph and the one just preceding it are consistent with his material in a number of sessions for Volume 1. In sessions 681 and 684, for instance, he discussed the on-off fluctuations of our physical universe and everything within it, moment points, probabilities, Jane’s sensations of massiveness, the basic unpredictable motion of any wave or atom, and much more. In sessions 682–83, he stressed the nature of his CU’s, or units of consciousness. Then in Volume 2, Seth likened his own identity to that of a wave formation; see the excerpts from the 775th session in Appendix 18, with Note 35.

[... 1 paragraph ...]

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.

[... 13 paragraphs ...]

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