“Seth material” search engine (Jane Roberts)

(“Then in the eyes of this Seth there are two little Seths looking out. Both of these images are like your portrait. Now they climb out of the eyes; with their bodies they make a garland around the big Seth’s head; they sit on it back-to-back like a pair of bookends.” Pause, eyes closed. “Wow — a whole bunch of these little Seths climb up on top of the giant head — but in perfect poses. They’re very stylized, but all real. And Seth will explain it,” Jane abruptly said, evidently quite surprised. “The little images face in all directions around the head of the big Seth. I know it’s not right, not a good analogy, but they’re like gargoyles on a steeple….

Give us a moment … The self, as I have said [many times] before, is not limited. It can therefore split off from itself without being less. This Seth might be “born” two or three times in one century — or more — and then in your terms not appear for five or ten centuries. Each Seth would be completely independent, however, and each appearance would signify the creation of a new personality — not simply a new version of an old one.

(9:53.) You are used to thinking of exterior organizational patterns. You might live in a city and a state and a country at one time, yet you do not think that your presence in one of these categories contradicts either of the other two. So you live amid psychic organizations, each having its own characteristics. You may consider yourself Indian though you live in America, or American though you live in Africa, or Chinese though you live in France, and you are quite able to retain your sense of individuality.

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.