1 result for (book:ur2 AND session:734 AND stemmed:art)
[... 12 paragraphs ...]
However, the Sumari are practical in that they bring creative visions into physical reality, and try to live their lives accordingly. They are initiators, yet they make little attempt to preserve organizations, even ones they feel to be fairly beneficial. They are not lawbreakers by design or intent. They are not reformers in the strictest sense, yet their playful work does often end up reforming a society or culture. They are given to art, but in its broadest sense also, trying to make an “art” of living, for example. They have been a part of most civilizations, though they appeared in the Middle Ages (A.D. 476–c. A.D. 1450) least of all. They often come to full strength before great social changes. Others might build social structures from their work, for example, but the Sumari themselves, while pleased, will usually not be able to feel any intuitive sense of belonging with any structured group.2
[... 2 paragraphs ...]
Generally speaking, America has not been a Sumari nation, nor have the Scandinavian countries or England. Psychically speaking, the Sumari often very nicely arrange existences in which they are a minority — in a democracy, say, so that they can work at their art within a fairly stable political situation. They are not interested in government, yet they do rely upon it to that extent. They are apt to be self-reliant within that framework. Their recognized artistic abilities may predominate or be fairly minimal.
[... 3 paragraphs ...]
In the arts, Picasso was a Sumari.
[... 16 paragraphs ...]
2. Jane and I are Sumari (see notes 7 and 10 for Session 732). I can write that many of the characteristics Seth mentioned this evening apply to us, as we’ve learned over the years — especially those concerning our love of art, our being initiators, and our desires to be free of social structures. At the same time we readily agree that organizations are indispensable within the world’s very complicated cultures. We do have strong interests in national and world politics. Yet if our work is to ever result in social changes of any kind, those changes will have to be carried through by others, for primarily Jane and I work alone.
In a way, however, Seth may do Jane and me something of an injustice when he remarks, for instance, that the Sumari “don’t hang around to cut the grass….” (Again, see Note 10 for Session 732.) Jane and I may be involved with the arts, and impatient at times, but we’re also extremely tenacious when we decide to do something we consider worthwhile. I doubt that the Seth material would exist in its present recorded form if we weren’t that way.
[... 13 paragraphs ...]