SESSION 726

(Nor have I checked up on “Unknown” Reality’s bulk. This was the second time in three weeks that Jane had mentioned a two-volume work; see the opening notes for the 721st session. I wondered aloud whether she might be getting herself used to such an idea. I added that I didn’t think she need worry about readers following Seth’s material — that certainly many others are just as curious as we are about where “Unknown” Reality is going.

(1. It not only incorporates Seth’s “island” analogy, but Jane’s and his information in the last [725th] session on strands of consciousness.

(3. The material on my parents reaches back to the first two sessions, 679–80, in [added later] Volume 1 of “Unknown” Reality.

(5. I think the application of tonight’s material to Jane and me is neatly summarized in the last paragraph of the session.

(6. At the same time, that paragraph contains very challenging ideas; they strongly remind me of the “Miriam” material I obtained about my father last week. See the last session, with its Note 4.

You are willing counterparts (see the 721st session) of each other, and have been in your terms before — each playing out “opposite” aspects of each other, yet merging for common purposes and goals.

End of session —

NOTES: SESSION 726

2. See the opening notes for the 713th session.

3. For material and references concerning my Nebene life in the first century A.D., see Session 721, with notes 9 and 12. Seth’s remark here, that “Ruburt was indeed the ‘prostitute’ priestess,” concerns unpublished material we plan to eventually study in depth.

4. Earlier in this decade of our camouflage reality, all four of our parents died within a period of less than three years. In Volume 1 of “Unknown” Reality, see Note 2 for Session 680, and the notes at the beginning of the 696th session.

5. In Volume 1 Seth described the role a nonphysical Stella Butts played in Jane’s and my house-hunting activities in Sayre, Pennsylvania, last April: See the 693rd session, with notes.

6. From her viewpoint my mother was, indeed, quite baffled when I turned away from a well-paying career in commercial art toward a very risky one in “fine art,” or painting. The year was 1953, and I’d just met Jane. My mother was 61 years old, I was 34, and Jane was 24. See the few additional details in Note 10 for the 679th session, in Volume 1.

8. Related material about my parents that has been published can be found in Volume 1. See Note 9 for the 679th session, and notes 2 and 3 for the 680th session.