1 result for (book:ur2 AND session:726 AND stemmed:inde)

UR2 Section 5: Session 726 December 16, 1974 5/73 (7%) island spirit volcano desert sand
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 726: The Island Analogy. More on Counterparts
– Session 726 December 16, 1974 9:43 P.M. Monday

[... 8 paragraphs ...]

Now this first island is very clever indeed, and so it sends its spirit wandering to the closest counterpart, and says: “You are myself, but without sand or palm trees.”

[... 7 paragraphs ...]

The spirit of the first island visits the second one, and finds itself amazed. It feels an ever-thrusting power, rushing up from beneath, that erupts in always-changing form. Yet it is always itself, comparing its experience to what it has known. When the volcano itself, ceaselessly erupting, wishes for peace, the spirit of the first island thinks of its own quiet home shores. The volcano learns a new lesson: It can direct its power in whatever way it chooses, shooting upward or lying quietly. It can indeed be dormant and dream for centuries. (Slowly now:) It can, if it chooses, allow soft sands to lie gracefully upon its cooling expanse.

[... 31 paragraphs ...]

So in one century you were Nebene, and Ruburt was indeed the “prostitute” priestess,3 and so did you challenge each other, as in different ways you do now, with tendencies that appear to be opposites, but are instead different ways of approaching the same kind of challenge. If you could understand, it would help in many areas you do not as yet suspect.

[... 16 paragraphs ...]

3. For material and references concerning my Nebene life in the first century A.D., see Session 721, with notes 9 and 12. Seth’s remark here, that “Ruburt was indeed the ‘prostitute’ priestess,” concerns unpublished material we plan to eventually study in depth.

[... 2 paragraphs ...]

6. From her viewpoint my mother was, indeed, quite baffled when I turned away from a well-paying career in commercial art toward a very risky one in “fine art,” or painting. The year was 1953, and I’d just met Jane. My mother was 61 years old, I was 34, and Jane was 24. See the few additional details in Note 10 for the 679th session, in Volume 1.

[... 3 paragraphs ...]

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