“Seth material” search engine (Jane Roberts)

“My only touch of emotion was involved with this second image; as I first saw it, I felt light thrillings in my body, coupled with a somewhat fearful reaction. I trust the thrilling sensations, since over the years I’ve learned that they signify something psychically legitimate for me⁵; their onset now at least reinforced my suspicion that the tumbling figure was me. Yet, I’m not sure. I slept.

13. Early in this appendix I wrote that I added these notes later, to give “ordinary background material” for my fourth Roman. So now, what do I make of the considerable similarities between my Jerusalem episode and Peter’s? Although his internal data reinforce mine to some extent, he can be no more specific about a physical location in the city for his visions than I can be for mine. (See Note 6.) I’ve also written about the conflicts involving authority that I believe my two Roman soldiers are expressing. Here I feel on more “solid ground” symbolically than physically. Just as I do, Peter rebels in his own peaceful ways against conventional authority, preferring to go his individual route in the arts, no matter how dubious his rewards may be.