“Seth material” search engine (Jane Roberts)

“Several interesting — and frustrating — questions are raised by today’s episode. As stated, this makes the second time that I’ve had an experience involving the violent death of a Roman soldier in the earlier part of the first century A.D. (I never did arrive at names for those two militant individuals.) Perhaps both instances are merely my own psychological reflections of present concerns or challenges, although I think that more is involved. Given Seth’s concept of simultaneous time, the best connection I’ve made so far between the two soldiers is that as counterparts of mine they explore questions having to do with authority. As I rebel against authority now — a characteristic remarked upon by Seth in the 721st session — so do my Roman selves in their times.

For another thing, what was my nameless Roman self doing on that tower? I didn’t “see” the reasons and actions leading to his presence there, and I doubt if I ever will. In my reference works I read accounts describing how Pontius Pilate, the Procurator (or governor) of Judea from approximately A.D. 26 to A.D. 36, had organized hunts for members of the Zealots, the Jewish political-religious sect that had consistently rebelled against the rule of the Roman Empire. This is the correct general time period for my visions, I think, and I felt a surge of thrilling sensations as I learned about certain subversive Zealot activities. Then I “picked up” that my soldier-self was killed by his countrymen because he’d traitorously sought to warn Zealot leaders of a planned search of the lower city of Jerusalem by Roman troops. My thrills deepened considerably — and those feelings of rightness were what I settled for; I could carry my wonderings no further, nor did I want to.

13. Early in this appendix I wrote that I added these notes later, to give “ordinary background material” for my fourth Roman. So now, what do I make of the considerable similarities between my Jerusalem episode and Peter’s? Although his internal data reinforce mine to some extent, he can be no more specific about a physical location in the city for his visions than I can be for mine. (See Note 6.) I’ve also written about the conflicts involving authority that I believe my two Roman soldiers are expressing. Here I feel on more “solid ground” symbolically than physically. Just as I do, Peter rebels in his own peaceful ways against conventional authority, preferring to go his individual route in the arts, no matter how dubious his rewards may be.