“Seth material” search engine (Jane Roberts)

“What would a Roman soldier be doing up there?, I wondered. For below, on the flat ground outside the wall, were the hordes⁴ of the Roman army. I don’t know whether they were preparing for an attack, or had some other reason to be assembled there. I saw only a forest of helmets and spears pointing upward, with light glinting dully on metal here and there. I write ‘saw,’ yet it would be just as accurate to note that I sensed these figures. They were turned toward the soldier on the tower.

“Rob: In one of my own ‘past-life’ memories, I was a guard or sentry on a tower like the one in your drawings. Or I was the sentry’s enemy, who came up the steps and attacked him. I was overcome and pushed off the tower, falling backwards in the position your drawing shows. It was night or semi-dark.”

As best I can interpret the objective information at hand, the physical locale of my subjective experience is a precarious one, since outside the eastern and southern boundaries of Jerusalem the terrain quickly drops away into valleys close and steep enough to protect the city from large-scale attack — with hardly enough room there for the “hordes” of Roman soldiers I saw on the “flat ground.” I cannot explain my terminology or choice of locations, except to say that I expressed just what I wanted to. I trust the elements of those perceptions, and my reactions to them, but their conscious understanding and integration remain beyond my abilities at this time. Obviously (as will be explained), I think it wise to ascribe as much of the episode’s validity to its symbolic meanings as to its physical ones.