“Seth material” search engine (Jane Roberts)

(Peter’s statement was soon confirmed by another longtime friend of ours, Sue Watkins,¹² who also knows Peter well. He’d related the entire affair to her some months ago; his original perceptions had taken place over seven years ago, long before Sue had introduced him to Jane and me in 1973. Peter told me after class that my sketches had instantly rearoused his memories, although in his experience he’d seen the event from different angles. Yet, even with those discrepancies, and a few others, Peter believed that the walls in Jerusalem, the battlemented tower, the soldiers that I’d just described and depicted, were all the same as those he’d seen in his own visions of so much earlier.

This isn’t the first time Peter Smith has been able to comment upon one of my Roman experiences from his own viewpoint. He’s traveled a good deal. In Chapter 4 of Politics, Jane described how Peter offered some interesting present-day “correlations” with portions of my third Roman, of the first century A.D. Peter’s information concerned the Spanish fishermen he saw hauling large nets ashore along certain beaches of the Mediterranean Sea; I’d seen similar actions during my internal perceptions that day.

13. Early in this appendix I wrote that I added these notes later, to give “ordinary background material” for my fourth Roman. So now, what do I make of the considerable similarities between my Jerusalem episode and Peter’s? Although his internal data reinforce mine to some extent, he can be no more specific about a physical location in the city for his visions than I can be for mine. (See Note 6.) I’ve also written about the conflicts involving authority that I believe my two Roman soldiers are expressing. Here I feel on more “solid ground” symbolically than physically. Just as I do, Peter rebels in his own peaceful ways against conventional authority, preferring to go his individual route in the arts, no matter how dubious his rewards may be.

(I was in for a surprise as the students discussed Seth’s remarks. One class member, a close friend whom I’ll call Peter Smith, is an artist and sculptor; after studying my Roman sketches, he had a note passed across the crowded room to me:)

Now: Your friend Peter [Smith] shared the same earthly period.⁴ You were not counterparts — or you are not counterparts, but closely enough allied so that in certain terms you “share” some of the same psychic memories, like cousins who speak about old dimly remembered brothers.

[...] So there are reasons why you and Peter met, and why certain people come to Ruburt’s classes.