“Seth material” search engine (Jane Roberts)

The new word will fit as much as the old one did. It may, in fact, fit better. Do this with many objects, following the same procedure. You can instead say the name of any object backwards.⁶ In such ways you break up to some extent the automatic patterning of familiar phrases, so that you can perceive the individuality that is within each object.

Your physical life and your dreaming life are so intimately connected that it can be misleading to say what I am about to say, colon: that waking experience springs from the unknown dream reality. On the one hand the statement is indeed true. On the other hand, the intricate inner workings make it impossible to separate one from the other. “Reality” operates basically, however, in a way that is perceived more clearly in the dream state. Freedom from time and place, the wider kind of communication, the great mobility of consciousness — all of these experiences under dreaming conditions are characteristic of the basic nature of reality — whereas your waking experience provides limitations that are indicators of certain conditions only. Period.

To some extent the greater expression of consciousness can be experienced under usual waking conditions, but only when a personality is flexible enough and secure enough to alter the focus of consciousness. This way, other unperceived data become available. The unknown reality is not beyond your experience, therefore. Any of your scientific or religious disciplines could benefit from a study of the dreaming consciousness, for there the basic nature of reality exists as clearly as you can perceive it. The inner condition of dreaming is valid. You find yourselves in other times and places because basically neither time nor space exists as you suppose.⁷

(Pause.) They alter the usual physical response to meaningful sound. You may not realize it, but your language actually structures your visual perception of objects. Sumari breaks down the usual patterning, therefore, but it also releases the nervous system from its structured response to any particular stimulus. The sounds, however, while spontaneous, are not unstructured. They will present a sound equivalent of the emotion or object perceived, an equivalent that is very direct and immediate, and that bears legitimate correspondence with the object or emotion.

The fresh expression sets up a new kind of relationship between the so-called perceiver and the perceived. The Sumari then becomes a bridge between two different kinds of consciousness; and returning to his usual state, Ruburt can translate from the Sumari to English.

2. In Chapter 5 of Personal Reality, sessions 623–25 all contain Seth material on inner sound, light, and electromagnetic structures of the body that ordinarily we do not perceive. From the 624th session, for example: “I told you that thoughts are translated into this inner sound, but thoughts always attempt to materialize themselves also. As such they are incipient images, collectors of energy.”

5. As an artist I’m so used to observing our physical world in terms of forms, colors, shadows, shapes, and “negative shapes” — the patterns formed by areas between and around shadows or objects — that I sometimes have to remind myself of the obvious: that each individual in the world perceives it from his or her own viewpoint. How strange, I’ve found myself thinking, that Joe, say, doesn’t see our environment in artistic terms, since what I see is so plain to me. But then, I tell myself, Joe has a method of cognition that’s quite natural to him. If he loves flowers, for instance, he may enjoy more of a sheer emotional reaction through the appreciation of a rose than I can.