1 result for (book:ur2 AND session:723 AND stemmed:"seth materi")
[... 2 paragraphs ...]
(“Good evening, Seth.”)
[... 11 paragraphs ...]
(10:22. Jane said her trance hadn’t been good. “I was inhibited by all kinds of things — noises, mostly. I hope they didn’t make me interfere with the material. Was there more noise than usual?”
(She has excellent hearing, so if her trance hadn’t been as deep as usual, for whatever reasons, then even ordinary sounds might disrupt her. I told Jane that Seth’s information was as penetrating as ever. I also reminded her that the house was actually quieter than it usually is. A wet snow had started after supper and we’d shut our windows, thus cutting down on the rumble and clatter of automobile traffic.
(Seth’s remarks about inner sounds were quite interesting in view of an episode that had taken place 10 minutes or so before the session started. As we made ready for it in our living room, Jane became aware of a faint buzzing — a sound I couldn’t hear. She repeatedly exclaimed over this noise until, investigating, we located its source high up in a far corner: a small insect moving among the leaves of our philodendron vines. We’ve encouraged the plants to grow up a set of poles that reach from the top of a bookcase to the ceiling. [The whole structure serves as a modest room divider, shielding the living room from the hall entrance to the apartment.]
(“Well, I think it’s going to be a short session,” she finally laughed. “I feel restless — like going for a walk in the snow or something….” But the session hardly proved to be a short one. In connection with the practice element that Seth gives below, plus the following two paragraphs of related information, I’d like the reader to refer to chapters 7 and 8 in Jane’s Adventures in Consciousness. In them she discussed the development of her Sumari “language.”
[... 22 paragraphs ...]
(Seth postponed ending the session to make some comments on Jane’s changing attitudes toward her physical environment, added a few remarks about the drawings I’m doing for Dialogues, then, in excellent humor, closed out the session at 12:01 A.M. Jane said her trance had been considerably deeper after break; certainly her delivery had been infused with more energy. And that energy lingered, for she felt much better now.)
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1. Seth began his “home station” and “world view” discussions in sessions 711 and 718, respectively.
2. In Chapter 5 of Personal Reality, sessions 623–25 all contain Seth material on inner sound, light, and electromagnetic structures of the body that ordinarily we do not perceive. From the 624th session, for example: “I told you that thoughts are translated into this inner sound, but thoughts always attempt to materialize themselves also. As such they are incipient images, collectors of energy.”
3. Seth could be referring to his remark in the 34th session for March 11, 1964: “Telepathic communications go on continually beneath consciousness, and without the aid of telepathy and of the inner senses, language itself would be meaningless. The hidden cues are the symbols that make language intelligible.”
4. This material reminds me of Seth in the 681st session in Volume 1: “The deeper explanations, however [in this case of probabilities], demand a further expansion of ideas of consciousness … It is not so much a matter of Ruburt’s vocabulary, incidentally, since even a specialized scientific one would only present these ideas in its own distorted fashion. It is more a problem of basic language itself, as you are acquainted with it. Words do not exist, for example, for some of the ideas I hope to convey. We will at any rate begin.”
[... 4 paragraphs ...]
Seth tells us, of course, that prehuman communication and human language and speech have originated in rhythmic patterns again and again, since in the far past our planet has seen the development of a number of presently unknown civilizations. See, for example, his material on reincarnational civilizations and the Lumanians in Chapter 15 of Seth Speaks. In Volume 1 of “Unknown” Reality, see his discussion on ancient man in the 702nd session, as well as Jane’s own material on the “innumerable species of man-in-the-making” in Appendix 6.
Certain presentations in Appendix 18 contain information from Seth about the distortive effects caused by words as he communicates through Jane. Review his excerpts from the 27th session for February 1964: “It is difficult for me to have to string out this material in words….”
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6. Reading backward is something I’ve casually indulged in for many years. I don’t think those actions inspired Seth’s advice here, although my unconscious motivations for such a practice may coincide with it. I developed the habit as a teenager, reading signs and automobile license plates aloud and backward when my father would take my mother, my two younger brothers, and myself for Sunday rides in his 1932 Chevrolet. I found it to be great fun. I also taught myself to read upside-down print — an equally fascinating endeavor. In later years, working with others on a daily basis, I’d occasionally talk backward in a joking manner (ekil siht). The interesting thing here was that after a while my co-workers not only came to understand what I was saying, but joined in the game.
7. Seth has said all of this in various ways before, of course, since he began coming through Jane almost exactly 11 years ago — yet to my mind the four paragraphs just given contain some of his most important material in the two volumes of “Unknown” Reality. Certainly it buttresses any of his dream information in Volume 1.
8. Seth’s material here can apply to the “case histories” Jane described in chapters 15 and 16 of Adventures.
9. Jane first came through with Sumari in her ESP class for November 23, 1971. Seth then devoted portions of the next five sessions to that development. From the 600th for December 13: “Each symbol in an alphabet stands for unutterable symbols beneath it … Sound itself, even without recognizable words, carries meaning. Oddly enough, sometimes the given meaning of the word does battle with the psychic and physical meaning of the sounds that compose it … The [Sumari] word ‘shambalina’ connotes the changing faces that the inner self adopts through its various experiences. Now this is a word that hints of relationships for which you have no word.” And from the 602nd for January 5, 1972: “In your language there are words that sound like the reality they try to represent. These are called ‘onomatopoeia’ [in English]. ‘Hush’ is an example….”
I recommend a rereading of Chapter 8 for Adventures in connection with the material in this note.
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