“Seth material” search engine (Jane Roberts)

(Pause.) Basically, however, each “appearance” of such a particle is a self-version, for it is altered to some extent by its “location.” Period. So can the human self appear in several places at once,⁵ each such appearance subtly altering the “human” particle, so that each appearance is a version of an “original” self that as itself never appears in those terms.⁶ When you look at an electron — figuratively speaking — you are observing a trace or a track of something else entirely, and that appearance is termed an electron. So the self that you know is a physical trace or intrusion into space and time of an “original” self that never appears. In a way, then, you are as ghostly as an electron.

The unknown self, the “original self,” straddles realities, dipping in and out of them in creative versions of itself, taking on the properties of the system in which it appears, and the characteristics native to that environment. Waves and particles are versions of other kinds of behavior taken by energy. Using that analogy, you flow in wavelike fashion into the physical particleized versions that you call corporal existences.

Give us a moment … I am putting this as simply as possible; but when your “original self” enters [part of] itself into three-dimensional life from an inner reality, the energy waves carrying it break — not simply into one particle, following our analogy, but into a number of conscious particles. In certain terms these are built up using the medium at hand — the biological properties of the earth. They spread out from the “point of contact,” forming individual lives. In your conception of the centuries, then, there are other counterparts of yourself living at the same time and in different places — all creative versions of the original self. There is a great intimate cooperation that exists biologically and spiritually between all of the beings on your planet “at any given time.” You are all connected psychically in terms of inner and outer structures. A certain identity and cohesiveness is also maintained because of these inner connections.

6. Several of my drawings in Part Two of Adventures relate visually to the idea of an “original self” (or “source self,” in Jane’s vocabulary) that never appears in physical reality. See diagrams 1, 8, and 14, for instance.