1 result for (book:ur2 AND session:721 AND stemmed:vision)
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(At the conclusion of the 720th session I mentioned the Roman-soldier visions I’d had near the end of October, and added that I would soon go into my questions about them. Before I could do so, however, I had another experience with psychic perceptions three days later — on November 16 — that led to more questions. This one wasn’t a “Roman,” though, but a series of very vivid impressions of myself as a black woman on the island of Jamaica, in the Caribbean Sea. The time period was — is — the 19th century. See Note 1.
(“Jamaica” took place on a Saturday, and Seth referred to it briefly in the next session, on Monday night. That session turned out to be private, rather than one for book dictation. Seth came back to Jamaica in Jane’s ESP class the next evening [on November 19]; at the same time he began discussing his concept of “counterparts,” which he formally introduces in tonight’s [721st] session for “Unknown” Reality. His material enhances my Roman and Jamaican visions [and others] — which saves me considerable effort in figuring them out for myself, of course. And, obviously, Seth does a much better job of putting them all together than I could.
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1. The series of visions that made up my overall perception of the black woman in Jamaica were the most vivid I’ve experienced yet. For me they had a most unique, thrilling, immediate quality, and strong emotional involvement. As I sat at the typewriter in my studio, I was flooded with perceptions of myself as such a woman: Pursued by an armed English military officer, she ran for her life down a hilly village street. She wasn’t especially young. Her — my — name? Maumee, or Mawmee — an illiterate but shrewd, very strong personality who was acting in rebellion against the colonial authority of England in the early 1800’s. She escaped that time, and lived to struggle often against such forces on the island.
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I’m most gratified that some of the Jamaican visions were externalized, that I didn’t see all of them within as I did for the Roman series. That is, with open eyes I saw fleeting hectic images in the studio. I felt emotions. I was exhilarated by the whole thing.
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