2 results for (book:ur2 AND session:721 AND stemmed:imag)

UR2 Appendix 21: (For Session 721) counterparts Florence Maumee androgyny Appendix

Now: a footnote to our [private] session of last night. Ruburt was correct: Lives are simultaneous. You can live more than one life at a time — in your terms now — but that is a loaded sentence. You are neurologically tuned in to one particular field of actuality that you recognize.2 In your terms and from your viewpoint only, messages from other existences live within you as ghost images within the cells, for the cells recognize more than you do on a conscious level. That is, for a brief time, Joseph (Rob) was consciously able to perceive a portion of another existence.

Now our friend Joseph here was able to handle another reality while still being involved in this one. (To me:) Neurologically, you crossed your messages. You were aware of ghost images that you usually do not recognize, and those were translated into ghost sense data. (To the class:) That is, he knew the black woman was not in the physical room with him in this space and time, running through his studio [where he had the experience]. But in other terms, she was indeed running in another environment that our friend was able to see, and to superimpose over the reality he knew, while keeping both intact.

(Here I asked Seth if the strong thrilling sensations I’d repeatedly felt at the time had anything to do with my perceptions of the “ghost images” of Maumee and her surroundings. Seth answered:)

All of which reminds me that to many viewers the “portraits” I paint are balanced equally between the masculine and feminine, regardless of whether the subject in any one of them is male or female. The paintings are of personalities I see mentally rather than physically; they do represent, I believe, my efforts to unify in any particular image my intuitive appreciation of the male/female qualities embodied within each of us.

UR2 Section 5: Session 721 November 25, 1974 king Roman counterparts soldier Jamaica

[...] At various times in history the same image has been used quite differently. [...]

[...] That is, with open eyes I saw fleeting hectic images in the studio. [...]