1 result for (book:ur2 AND session:721 AND stemmed:drama)

UR2 Section 5: Session 721 November 25, 1974 3/100 (3%) king Roman counterparts soldier Jamaica
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 721: The Dream World as the Mirror of the Psyche. Waking While Dreaming. Practice Elements 15, 16
– Session 721 November 25, 1974 9:14 P.M. Monday

[... 16 paragraphs ...]

If you suspect that abundance is somehow spiritually dangerous,4 then the king might be captured and punished. All kinds of other events might be involved: groups of people, for example, representing bands of “rampaging” desires. The entire drama would involve the “evolution” of an emotion or belief. In the dream state you set it free and see what will happen to it, how it will develop, where it will go.

The reflections of your ideas and intimate emotions are then projected outward in a rich drama. You can observe the play, take a role in it, or move in and out of its acts as you prefer. You will use your own private symbols. These represent your psychic shorthand. They are connected with your personal creativity, so dream books will not help you in deciphering those meanings if they attach a specific significance to any given symbol. Symbols themselves change. If you had before you your entire dream history and could read — as in a book — the story of all of your dreams from birth, you would discover that you changed the meaning of your symbols as you went along, or as it suited your purposes. The content of a dream itself has much to do with the way you employ any given symbol.

[... 1 paragraph ...]

Give us a moment … Whether or not you remember your dreams, you are educating yourself as they happen. You may suddenly “awaken” while still within the dream state, however, and recognize the drama that you have yourself created. At this point you will understand the fact that the play, while seeming quite real, is to a certain extent hallucinatory. If you prefer, you can clear the stage at once by saying, “I do not like this play, and so I will create it no longer.” You may then find yourself facing an empty stage, become momentarily disoriented at the sudden lack of activity, and promptly begin to form another dream play more to your liking.

[... 79 paragraphs ...]

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